"Four-One" by Christopher Young had its release date on January 1, 1996. With This song being less than two minutes long, at 1:57, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Set It Off (Original Motion Picture Score)". In this album, this song's track order is #6. Four-One is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Four-One by Christopher Young having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| the Insidious plane | joseph bishara | F Minor | 2 | 4A | 64 BPM | ||
| Hybrid | Stephor Shpandau | D♭ Major | 5 | 3B | 157 BPM | ||
| Futile Escape | James Horner, London Symphony Orchestra | E Minor | 4 | 9A | 126 BPM | ||
| Stardom | Stephor Shpandau | B Minor | 2 | 10A | 115 BPM | ||
| Vapor | Mesyrea | F Minor | 6 | 4A | 154 BPM | ||
| The Dark Room | Danny Bensi and Saunder Jurriaans | D Major | 2 | 10B | 75 BPM | ||
| SILO Main Title | Atli Örvarsson | F Minor | 4 | 4A | 102 BPM | ||
| End Title: The Black Hole - Score Version | John Barry | D♭ Minor | 3 | 12A | 169 BPM | ||
| The Horror In The Canisters | Christopher Young | B♭ Major | 2 | 6B | 125 BPM | ||
| Incantation | Stephen McKeon | B♭ Major | 1 | 6B | 80 BPM | ||
| Corrupted Light | David Buckley | E Major | 2 | 12B | 72 BPM | ||
| Reese Dreams of Future War | Brad Fiedel | E♭ Minor | 8 | 2A | 115 BPM | ||
| Alien 3: Adagio - From "Alien 3" | Elliot Goldenthal | E Minor | 0 | 9A | 79 BPM | ||
| Resurrection | Christopher Young | A♭ Minor | 2 | 1A | 108 BPM | ||
| Tomorrow Again | Stephor Shpandau | E Minor | 2 | 9A | 95 BPM | ||
| Only Time | Madina Janiyaz, Aleeya | B♭ Major | 3 | 6B | 75 BPM | ||
| Brother's Tale | James Barth | A Major | 1 | 11B | 70 BPM | ||
| Unknown Lands | Caro Konrad, Caro Knd | C Minor | 7 | 5A | 125 BPM | ||
| Going In | Marc Streitenfeld | C Major | 0 | 8B | 105 BPM | ||
| Portrait Of A Prince | Trevor Jones | A Minor | 2 | 8A | 71 BPM | ||
| Alien Fight | Harald Kloser | F Minor | 9 | 4A | 148 BPM | ||
| Time to Ascend | Mick Giacchino | F♯ Major | 6 | 2B | 110 BPM | ||
| Pulse | Arcadia | C Major | 3 | 8B | 115 BPM | ||
| More Sinister Than Popcorn | Christopher Young | D♭ Major | 3 | 3B | 72 BPM | ||
| Gotham City, 1986 | Christopher Drake | A Major | 3 | 11B | 73 BPM |