"End Title: The Black Hole - Score Version" by John Barry had its release date on January 1, 1979. The duration of This song is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. End Title: The Black Hole - Score Version's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "The Black Hole". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. The popularity of End Title: The Black Hole - Score Version is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With End Title: The Black Hole - Score Version by John Barry having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Crazy Tom - Instrumental | Harry Rabinowitz | D Minor | 3 | 7A | 78 BPM | ||
| Cross tempo | Andrea Guerra | A♭ Major | 0 | 4B | 82 BPM | ||
| Spartacus - Love Theme | Alex North | A Minor | 2 | 8A | 96 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
| The Cider House (From "The Cider House Rules" Score) | Rachel Portman, John Lenehan, David Snell | C Major | 1 | 8B | 88 BPM | ||
| La septième cible - Générique | Vladimir Cosma, Ivry Giltis | A Minor | 2 | 8A | 107 BPM | ||
| Herodotus | Academy of St. Martin in the Fields, Gabriel Yared | C Major | 2 | 8B | 54 BPM | ||
| Alta società | Andrea Guerra | A♭ Major | 0 | 4B | 74 BPM | ||
| Brendan's Love of Katie | Clint Eastwood | C Major | 2 | 8B | 54 BPM | ||
| The Bird - The Swimmer | Peter Buffett, Jeff Barry, John Barry | B♭ Major | 1 | 6B | 111 BPM | ||
| Casablanca - Suite | Max Steiner | E♭ Major | 2 | 5B | 83 BPM | ||
| To Olivia | Debbie Wiseman | A Minor | 1 | 8A | 71 BPM | ||
| Beethoven: Epilogue ( Beethoven Piano Concerto no 5 "Emperor" -II ) | Ludwig van Beethoven, Terry Davies, Members Of The London Symphony Orchestra | B Major | 0 | 1B | 81 BPM | ||
| Escape From Piz Gloria - From “On Her Majesty’s Secret Service” Soundtrack / Remastered 2003 | Louis Armstrong, John Barry | F Minor | 3 | 4A | 123 BPM | ||
| Almost As Beautiful As His Mother | Debbie Wiseman | F Major | 1 | 7B | 92 BPM | ||
| The Impossible Main Titles | Fernando Velázquez | C Minor | 1 | 5A | 79 BPM | ||
| Claudia's Theme - Version Four | Lennie Niehaus, Clint Eastwood | F♯ Minor | 1 | 11A | 104 BPM | ||
| In Bicicletta | Luis Bacalov | A Major | 2 | 11B | 106 BPM | ||
| Theme From Love Story | Francis Lai | A Minor | 1 | 8A | 75 BPM | ||
| The Loss of the Journal / The Return to Winter Camp | John Barry | G Major | 1 | 9B | 69 BPM | ||
| Jones: Last of the Mohicans: Main Title | Trevor Jones, Orchestre Philharmonique De Strasbourg, Marko Letonja | D Minor | 2 | 7A | 87 BPM | ||
| Opening | Craig Armstrong | D Minor | 2 | 7A | 91 BPM | ||
| All Alone | JACK KAY | A Minor | 1 | 8A | 64 BPM | ||
| Títulos Finales | Fernando Velázquez | D Major | 2 | 10B | 113 BPM |