"The Encounter and Main Title" by Fernando Velázquez had its release date on January 14, 2013. The duration of This song is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. The Encounter and Main Title's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Fernando Velázquez's "Mama (Original Motion Picture Soundtrack)" album is number 2 out of 18. On top of that, Spain appears to be the country where this track was created. In terms of popularity, The Encounter and Main Title is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Encounter and Main Title by Fernando Velázquez to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Banished | Mark Korven | B Minor | 0 | 10A | 70 BPM | ||
| Bates Motel | Chris Bacon | D Minor | 2 | 7A | 104 BPM | ||
| Pink 2000 | Maria Korbova, Mery Leon | B♭ Minor | 1 | 3A | 85 BPM | ||
| Optician | Fernando Velázquez | G Minor | 1 | 6A | 104 BPM | ||
| Opening | David Julyan | F Major | 0 | 7B | 77 BPM | ||
| Valerie | Dario Marianelli | D♭ Major | 1 | 3B | 71 BPM | ||
| The Vow | Alexandre Desplat | F Major | 6 | 7B | 126 BPM | ||
| Closer & Closer | David Shire | G Minor | 0 | 6A | 120 BPM | ||
| The Butterfly | Fernando Velázquez | D♭ Major | 1 | 3B | 174 BPM | ||
| Margaret Comes Home / The Telephone Call | Pino Donaggio | B♭ Minor | 1 | 3A | 101 BPM | ||
| Main Title | Pino Donaggio | B♭ Major | 4 | 6B | 79 BPM | ||
| Mina / Dracula - From 'Bram Stoker's Dracula' | Wojciech Kilar | F Major | 4 | 7B | 109 BPM | ||
| Egia Bat Esateagatik - Sinfonikoa | Rafa Rueda, Ura Bere Bidean, Fernando Velázquez, Bilbao Orkestra Sinfonikoa, Sociedad Coral de Bilbao | B Major | 5 | 1B | 176 BPM | ||
| Hazmat Suit | Bear McCreary | G Major | 1 | 9B | 82 BPM | ||
| Dr. Fletcher and the World | West Dylan Thordson | B♭ Major | 1 | 6B | 75 BPM | ||
| The Mass | Andy Maranell, Andy Mardan | C Minor | 2 | 5A | 85 BPM | ||
| Leaving Storybrooke | Mark Isham | E Minor | 2 | 9A | 76 BPM | ||
| Georgie, Meet Pennywise | Benjamin Wallfisch | F Major | 2 | 7B | 75 BPM | ||
| Umbrella Is Watching | Jeff Danna | E Minor | 4 | 9A | 127 BPM | ||
| Planet 4/Main Theme | Jed Kurzel | B♭ Minor | 2 | 3A | 56 BPM | ||
| Secret Room | Abel Korzeniowski | C Minor | 3 | 5A | 89 BPM | ||
| Witch perch | joseph bishara | C Minor | 0 | 5A | 64 BPM | ||
| Old Times - Instrumental | Alejandro Amenábar | C Minor | 0 | 5A | 50 BPM | ||
| Carmen Amatorium Ex Arcanum | Mark Snow | D♭ Major | 2 | 3B | 80 BPM | ||
| The Dominoes Fall | Dario Marianelli | A Minor | 4 | 8A | 120 BPM |