"Emperor Waltz, Op 437" by Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra had its release date on 2009. This song appears to be safe for all ages as it is not explicit. The track order of this song in Moscow RTV Symphony Orchestra's "Legendary Artists: Moscow RTV Symphony Orchestra" album is number 5 out of 21. In terms of popularity, Emperor Waltz, Op 437 is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Emperor Waltz, Op 437 by Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| King Christian II Suite, Op. 27: V. Ballade | Jean Sibelius, Thomas Søndergård, BBC National Orchestra Of Wales | A Minor | 2 | 8A | 143 BPM | ||
| The Gypsy Baron: Overture | Johann Strauss II, Marko Letonja, Tasmanian Symphony Orchestra | G Major | 2 | 9B | 70 BPM | ||
| Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: IV. Finale. Allegro con moto | Dmitri Shostakovich, Mstislav Rostropovich, Gennady Rozhdestvensky, Moscow Philharmonic Orchestra | E♭ Major | 3 | 5B | 143 BPM | ||
| Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
| Masquerade Suite: Gallop | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 1 | 9B | 104 BPM | ||
| Isabella: Overture | Franz von Suppé, Neeme Järvi, Royal Scottish National Orchestra | D Major | 2 | 10B | 93 BPM | ||
| Орлеанская дева, действие I: No. 1, Хор девушек "Пока на небе не погас" | Большой хор Всесоюзного радио и Центрального телевидения, Gennady Rozhdestvensky, Геннадий Рождественский, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения | G Major | 2 | 9B | 74 BPM | ||
| Kobenhavns Jernbanedamp Galop (Copenhagen Steam Railway Galop): Kjobenhavens Jernbane-Damp-Galop | Hans Christian Lumbye, Slovak State Philharmonic Orchestra, Mika Eichenholz | E Major | 2 | 12B | 82 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| Carmen Ballet Suite (after Bizet): IX. Torero | Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut | F Major | 5 | 7B | 115 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM | ||
| Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: III. Cadenza | Dmitri Shostakovich, Mstislav Rostropovich, Gennady Rozhdestvensky, Moscow Philharmonic Orchestra | D Minor | 1 | 7A | 75 BPM | ||
| The Seasons, Op. 67: X. Barcarolle | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 2 | 11B | 98 BPM | ||
| Rund Um Die Liebe: Rund Um Die Liebe, Ouverture | Oscar Straus, Budapest Strauss Symphony Orchestra | A Major | 3 | 11B | 73 BPM | ||
| Two Melodies, Op. 53, for string Orchestra: Det første møte (First Encounter). Lento | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | D Minor | 0 | 7A | 100 BPM | ||
| Stimmen Verstummen, "Symphony in Twelve Movements": IV. | Sofia Gubaidulina, Gennady Rozhdestvensky, Royal Stockholm Philharmonic Orchestra | F Minor | 1 | 4A | 81 BPM | ||
| Mosow-Cheryomushki, Op. 105, Act I Scene 1: When I am wondering along the streets (Masha, Bubentsov) | Dmitri Shostakovich, Gennady Rozhdestvensky, Hague Residentie Orchestra, Irina Gelakhova, Andrei Baturkin | C Major | 1 | 8B | 120 BPM | ||
| Mussorgsky: Pictures at an Exhibition: X. The Great Gate of Kiev (Orch. Ravel, M. A 24) | Modest Mussorgsky, Herbert von Karajan, Philharmonia Orchestra | G Major | 3 | 9B | 79 BPM | ||
| Serenade for String Orchestra in C Minor, Op. posth.: VI. Andante sostenuto | Max Bruch, George Hanson, Sinfonieorchester Wuppertal | E♭ Major | 0 | 5B | 87 BPM | ||
| Aladdin, Op. 34, FS 89, CNW 17, Act III: Chinese Dance | Carl Nielsen, Gennady Rozhdestvensky, Danish National Symphony Orchestra, Guido Paevatalu, Mette Ejsing, Danish National Radio Chamber Choir | A Major | 3 | 11B | 134 BPM | ||
| Peer Gynt Opp.46 & 55, Excerpts, Suite No. 2, Op.55: Arab Dance | Paavo Berglund | E Minor | 1 | 9A | 124 BPM | ||
| La bayadère: Andantino | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| Gounod: Roméo et Juliette: Ouverture | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse | D Minor | 3 | 7A | 123 BPM | ||
| Roland Furieux: II. Andante tranquillo | Augusta Holmès, Michael Francis, Deutsche Staatsphilharmonie Rheinland-Pfalz | E♭ Major | 1 | 5B | 88 BPM |