Rudolf Schock's 'Wer uns getraut' had a release date set for January 6, 2006. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 21 out of 22 in Fernsehwunschkonzert mit by Rudolf Schock. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wer uns getraut is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wer uns getraut by Rudolf Schock is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM | ||
| Da geh' ich ins Maxim | Johannes Heesters | D Major | 3 | 10B | 145 BPM | ||
| Die Csárdásfürstin · Operette in 3 Akten (1988 Digital Remaster), Erster Akt: Heia, heia, in den Bergen ist mein Heimatland (Sylva - Boni - Feri - Chor) | Emmerich Kálmán, Anneliese Rothenberger, Willy Mattes, Symphonie-Orchester Graunke | C Minor | 5 | 5A | 91 BPM | ||
| Die Hochquelle, Op. 114 | Eduard Strauss, Czech Philharmonic Chamber Orchestra, John Georgiadis | A♭ Major | 1 | 4B | 119 BPM | ||
| Die Lorelei: Ich weiss nicht, was soll es bedeuten | Friedrich Silcher, Carl Maria von Weber Men's Choir, Berlin, Andreas Wiedermann | D♭ Major | 0 | 3B | 127 BPM | ||
| Der Freischütz, Op. 77: Nein länger trag ich nicht die Qualen - Durch die Wälder, durch die Auen | Carl Maria von Weber, Rudolf Schock, Lovro Von Matacic | E♭ Major | 2 | 5B | 86 BPM | ||
| Meyerbeer: Les Huguenots, Act 1: "Plus blanche que la blanche hermine" (Raoul, Chorus) | Giacomo Meyerbeer, Pene Pati, Chœur de l'Opéra National de Bordeaux, Stéphane Rougier, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
| Wenn der weisse Flieder wieder blüht | Rudi Schuricke | G Major | 4 | 9B | 150 BPM | ||
| Undine: Vater, Mutter, Schwestern, Brüder | Albert Lortzing, Rudolf Schock, Berliner Symphoniker, Kurt Gaebel | A Major | 2 | 11B | 67 BPM | ||
| Du bist meine Sonne | Rudolf Schock | E♭ Major | 2 | 5B | 80 BPM | ||
| Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
| Barcarolle: Schöne Nacht, du Liebesnacht - Hoffmanns Erzählungen | Jacques Offenbach, Jesús López-Cobos, Hei-Kyung Hong, Jennifer Larmore, Munich Radio Orchestra | D Major | 2 | 10B | 81 BPM | ||
| Man müsste nochmal zwanzig sein | Willy Schneider | D♭ Major | 4 | 3B | 116 BPM | ||
| Mozart: Sehnsucht nach dem Frühling, K. 596 | Wolfgang Amadeus Mozart, Rudolf Schock | F♯ Major | 1 | 2B | 94 BPM | ||
| Gruss mir mein Wien | Emmerich Kálmán, Rudolf Schock, Wilhelm Schüchter | F♯ Major | 2 | 2B | 84 BPM | ||
| Frau Luna: Einleitung - Schlösser, die im Monde liegen | Paul Lincke, Herta Talmar, Franz Fehringer, Günter Kallmann Chor, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 75 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 2 "Der kleine Sandmann bin ich" [The Sandman] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 0 | 10B | 132 BPM | ||
| My Fair Lady: Ascot Gavotte (Orchester) | Alfred Schieske, Boris Greverus, Rex Gildo, Hans Hardt, Paul Hubschmid, Karin Hubner, Friedrich Schoenfelder | G Major | 2 | 9B | 117 BPM | ||
| Als flotter Geist – Ja, das alles auf Ehr‘ (From "Der Zigeunerbaron") | Rudolf Schock | G Major | 4 | 9B | 83 BPM | ||
| Solenne in quest´ora (La forza del destino) | Jussi Björling, Robert Merrill, RCA Victor Orchestra | C Major | 2 | 8B | 61 BPM | ||
| Ein Walzertraum: Leise, ganz leise klingt's durch den Raum | Oscar Straus, Rudolf Schock, Robert Stolz | F Major | 4 | 7B | 89 BPM | ||
| Mit Dampf, Op. 70: Mit Dampf, Polka schnell, Op. 70 | Eduard Strauss, Slovak State Philharmonic Orchestra, Mika Eichenholz | B♭ Major | 4 | 6B | 148 BPM | ||
| Das Lied von der Erde: III. Von der Jugend. Behaglich, heiter | Gustav Mahler, Les Siècles, François-Xavier Roth, Andrew Staples | G Major | 4 | 9B | 150 BPM | ||
| Der Freischütz, Op. 77, J. 277: Jägerchor | Carl Maria von Weber, Radio Kamer Filharmonie, Groot Omroepkoor, Michael Schønwandt, Michael Gläser | D♭ Major | 2 | 3B | 123 BPM | ||
| Linda di Chamonix: O luce di quest' anima | Gaetano Donizetti, Olga Peretyatko, Miguel Gomez-Martinez | F Major | 2 | 7B | 114 BPM |