"The Corridor" by John Murphy had its release date on January 1, 2010. With This song being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "Kick-Ass: The Score" album is number 35 out of 39. On top of that, United Kingdom appears to be the country where this track was created. The popularity of The Corridor is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Corridor by John Murphy to be Presto (very, very fast) because the track has a tempo of 181 BPM, a half-time of 90BPM, and a double-time of 362 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| World on Fire (Instrumental) | Les Friction | D Minor | 7 | 7A | 118 BPM | ||
| Task Force X | Steven Price | B Minor | 7 | 10A | 87 BPM | ||
| London Calling | Michael Giacchino | F Minor | 0 | 4A | 121 BPM | ||
| No Man's Land | Rupert Gregson-Williams | E Minor | 5 | 9A | 98 BPM | ||
| Bad Motherfucker | Biting Elbows | B Major | 9 | 1B | 168 BPM | ||
| The Devil & The Huntsman | Sam Lee, Daniel Pemberton | C Major | 5 | 8B | 85 BPM | ||
| New Heaven, New Earth | Ryan Amon | D♭ Major | 4 | 3B | 140 BPM | ||
| Line of Duty End Title Theme | Carly Paradis | G Major | 5 | 9B | 113 BPM | ||
| New Horizon | NINJA TRACKS | D♭ Major | 3 | 3B | 140 BPM | ||
| Basalt | The Hit House, Danail Getz | G Major | 7 | 9B | 135 BPM | ||
| Dystopia | Hi-Finesse | F♯ Minor | 5 | 11A | 101 BPM | ||
| The Matrix: Clubbed to Death | M.S. | D Major | 5 | 10B | 103 BPM | ||
| Run with the Wolves | The Prodigy | B Minor | 10 | 10A | 166 BPM | ||
| Heading To Elysium | Ryan Amon | D♭ Major | 5 | 3B | 95 BPM | ||
| Nowhere to Run | BOGA | F Minor | 9 | 4A | 131 BPM | ||
| Stay Too Long - Pendulum Remix | Plan B, Pendulum | C Major | 10 | 8B | 174 BPM | ||
| Estasi Dell Anima | David Sardy | A Minor | 5 | 8A | 82 BPM | ||
| Almost Martyrs (from the film 'The Life of David Gale ') | Silver Screen Sound Machine | A Minor | 0 | 8A | 78 BPM | ||
| Off You Go | Patrick Doyle | C Major | 2 | 8B | 120 BPM | ||
| First Transmission | Steve Jablonsky | D Major | 3 | 10B | 135 BPM | ||
| Deep Shadow | T.T.L. | F Minor | 4 | 4A | 80 BPM | ||
| Laced Drinks (Betrayal Pt. II) | Daniel Pemberton | B♭ Minor | 5 | 3A | 170 BPM | ||
| The Magellan Matrix | Jo Blankenburg | D♭ Major | 7 | 3B | 110 BPM | ||
| Flight to Compound | Alexandre Desplat | B♭ Minor | 1 | 3A | 116 BPM | ||
| Outlands - From "TRON: Legacy"/Score | Daft Punk | C Major | 4 | 8B | 113 BPM |