"Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Mystic Circles of the Young Girls" by Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan had its release date on January 1, 2007. The duration of This song is about 3 minutes long, at 3:27. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Stravinsky: The Rite of Spring / Bartók: Concerto for Orchestra". In this album, this song's track order is #10. Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Mystic Circles of the Young Girls is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 2: The Sacrifice: Mystic Circles of the Young Girls by Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pictures at an Exhibition (Orch. Ravel): I. Gnomus - Recorded 1966 | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
| Variations On An Original Theme, Op.36 "Enigma": 3. R.B.T. (Allegretto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 0 | 9B | 86 BPM | ||
| Symphony No. 4 in F Minor, Op. 36: III. Scherzo. Pizzicato ostinato – Allegro | Pyotr Ilyich Tchaikovsky, Wiener Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 156 BPM | ||
| Schumann: Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam | Robert Schumann, Nikolaus Harnoncourt, Berliner Philharmoniker | A Minor | 0 | 8A | 89 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: I. Andante, ma non troppo - Allegro energico | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | E Minor | 1 | 9A | 77 BPM | ||
| Shostakovich: Cello Concerto No. 1 in E-Flat Major, Op. 107: IV. Finale. Allegro con moto | Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg | A♭ Major | 3 | 4B | 132 BPM | ||
| Viola Concerto: IIb. Trio | Magnus Lindberg, Lawrence Power, Finnish Radio Symphony Orchestra, Nicholas Collon | F Minor | 1 | 4A | 174 BPM | ||
| Lutosławski: Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Daniel Barenboim, Chicago Symphony Orchestra | F♯ Minor | 1 | 11A | 128 BPM | ||
| Ein Heldenleben, Op. 40, TrV 190: Der Held | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 2 | 5B | 112 BPM | ||
| Turangalîla-Symphonie: IV. Chant d'amour 2 | Olivier Messiaen, Yuja Wang, Cécile Lartigau, Boston Symphony Orchestra, Andris Nelsons | D♭ Major | 5 | 3B | 87 BPM | ||
| Eine Alpensinfonie, Op. 64, TrV 233: XXII. Nacht (II) | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 90 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): IV. Act V. Opening - Conclusion | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 126 BPM | ||
| Dvořák: 8 Slavonic Dances, Op. 46, B. 83: No. 8 in G Minor | Antonín Dvořák, Lorin Maazel, Berliner Philharmoniker | A♭ Major | 0 | 4B | 65 BPM | ||
| Sinfonia antartica "Symphony No. 7": I. Prelude. Andante maestoso | Ralph Vaughan Williams, Elizabeth Watts, BBC Symphony Chorus, BBC Symphony Orchestra, Martyn Brabbins | F Major | 2 | 7B | 116 BPM | ||
| Pelléas et Mélisande, CD 93, Suite (Arr. Leinsdorf): III. Act III: Scene 2. Opening - Interlude 5 - Act IV: Interlude 6 | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | D♭ Major | 1 | 3B | 74 BPM | ||
| Mathis der Maler Symphony: II. Grablegung | Paul Hindemith, Berliner Philharmoniker, Claudio Abbado | A♭ Minor | 0 | 1A | 87 BPM | ||
| Symphony No. 9 in E-Flat Major, Op. 70: II. Moderato | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | B♭ Minor | 2 | 3A | 122 BPM | ||
| Petrushka: The Shrove-Tide Fair | Robert Groslot, Belgian Radio and Television Philharmonic Orchestra, Igor Stravinsky | D Minor | 5 | 7A | 80 BPM | ||
| Symphony No. 8 in B Minor, D. 759 "Unfinished": 1. Allegro moderato | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 107 BPM | ||
| Symphony No. 3 in D Minor, Zweite Abteilung: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Berliner Philharmoniker, Gustavo Dudamel, Gerhild Romberger, Damen des Rundfunkchors Berlin, Knaben des Staats- und Domchors Berlin | F Major | 1 | 7B | 111 BPM | ||
| Concerto for 2 Pianos, FP. 61: III. Allegro molto | Francis Poulenc, Leonard Bernstein, New York Philharmonic, Artur Gold, Robert Fizdale | A Minor | 3 | 8A | 100 BPM | ||
| Capriccio Espagnol: Variazioni | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Lars Hjalmar Joakim | F Major | 1 | 7B | 81 BPM | ||
| Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | ||
| Concerto for 2 Pianos, FP 61: II. Larghetto | Francis Poulenc, Leonard Bernstein, Arthur Gold, Robert Fizdale, New York Philharmonic | D♭ Major | 0 | 3B | 117 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: III. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM |