On December 1, 1982, the song "Tomorrow The Fox Will Come To Town" was released by Thomas Ravenscroft, Judith Nelson, Mary Beverly, David James, David Thomas, Paul Elliott, Academy of Ancient Music, Christopher Hogwood. The duration of This song is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Tomorrow The Fox Will Come To Town's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christopher Hogwood, Academy of Ancient Music's "Music from the Time of Elizabeth I" album is number 11 out of 22. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Tomorrow The Fox Will Come To Town is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Tomorrow The Fox Will Come To Town by Thomas Ravenscroft, Judith Nelson, Mary Beverly, David James, David Thomas, Paul Elliott, Academy of Ancient Music, Christopher Hogwood to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Passing of the Year: No. 2, The narrow bud opens her beauties to the sun | Jonathan Dove, Convivium Singers, Christopher Cromar, Neil Ferris | F♯ Minor | 0 | 11A | 138 BPM | ||
| An Evening Hymn | Emma Kirkby, Richard Stangroom, St. Albans Chamber Choir | F Major | 1 | 7B | 65 BPM | ||
| Verily, Verily I Say unto You | Thomas Tallis, Alamire, David Skinner | D♭ Minor | 3 | 12A | 72 BPM | ||
| The three ravens - Arr. pour ensemble baroque | Thomas Ravenscroft, La Cetra d'Orfeo, Michel Keustermans, Marie de Roy | A♭ Minor | 1 | 1A | 78 BPM | ||
| A Briefe Discourse of the True: No. 7. The Satyres Dance | Thomas Ravenscroft, Wolfgang Katschner, Lautten Compagney | B Major | 1 | 1B | 79 BPM | ||
| Ravenscroft: Melismata "Musicall Phansies": No. 20, There Were Three Ravens | Thomas Ravenscroft, Consort Of Musicke | E Major | 0 | 12B | 69 BPM | ||
| Adieu des bergers | Hector Berlioz, L'offrande lyrique | G Major | 4 | 9B | 83 BPM | ||
| Officium Divinum, Midday Prayer: No. 6, The Real Presence | Margaret Rizza, Convivium Singers, David Price, Dominika Fehér, Richard Phillips, Eamonn Dougan | A♭ Major | 0 | 4B | 71 BPM | ||
| This marriage | Ars Poliphonica | E Major | 0 | 12B | 78 BPM | ||
| Stabat Mater (Arr. for Choir by Edward Elgar) | Anonymous, The Chapel Choir of the Royal Hospital Chelsea, William Vann | E Major | 0 | 12B | 78 BPM | ||
| I Will Rejoice | Vincent Miller, Cantate Domino, Seth Bergey | D♭ Major | 1 | 3B | 134 BPM | ||
| Missa si Deus pro nobis, a 16 voci: V. Gloria | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 2 | 8B | 69 BPM | ||
| O Lord, in Thee Is All My Trust | Thomas Tallis, Alamire, David Skinner | D♭ Minor | 2 | 12A | 88 BPM | ||
| Sermisy: Jouissance vous donneray | Claudin de Sermisy, Virelai | E Minor | 0 | 9A | 105 BPM | ||
| Missa Jubilate Deo: Agnus Die | Johann Stadlmayr, Roswitha Schmelzl, Andrea Lauren Brown, Gert Hohmann, Robert Sellier, Manuel Warwitz, Matthias Winckhler, Munich Orpheus Choir, Les Cornets Noirs, Gerd Guglhör | E Minor | 1 | 9A | 68 BPM | ||
| Yonder comes a courteous Knight | Thomas Ravenscroft, Custer LaRue, Baltimore Consort | F Major | 1 | 7B | 76 BPM | ||
| Underneath the stars | Ars Poliphonica | E Major | 0 | 12B | 78 BPM | ||
| Une vierge féconde | Anonyme, Maitrise Notre-Dame De Paris, Lionel Sow, Yves Castagnet | A Minor | 1 | 8A | 77 BPM | ||
| Our Song - Arr. Dan Walker | Kate Miller-Heidke, Keir Nuttall, Gondwana Voices, Lyn Williams | G Minor | 1 | 6A | 80 BPM | ||
| Mass in E-Flat Major, Op. 109, "Cantus Missae": I. Kyrie | Josef Rheinberger, Charles Bruffy, Phoenix Bach Choir, Kansas City Chorale | E♭ Major | 1 | 5B | 130 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| Vaughan Williams: 5 English Folk Songs: No. 5, Wassail Song | Ralph Vaughan Williams, London Madrigal Singers, Christopher Bishop | D Major | 2 | 10B | 137 BPM | ||
| The Owl | Toby Young, Apollo5 | F Major | 2 | 7B | 103 BPM | ||
| They that go down to the sea in ships | Herbert Sumsion, Michael Bloss, Choir of St John's, Elora, Noel Edison | F♯ Minor | 0 | 11A | 62 BPM | ||
| There were 3 Ravens | Thomas Ravenscroft, Baltimore Consort | C Major | 1 | 8B | 96 BPM |