- BPM
- 82
- Key
- E♭ Major
- Camelot
- 5B
The Mikado: Act One, "Behold the Lord High Executioner" by Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey Song Details
Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey's ' "The Mikado: Act One, "Behold the Lord High Executioner"" was released on its scheduled release date, January 1, 2001. The duration of This song is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. The Mikado: Act One, "Behold the Lord High Executioner"'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vintage Gilbert & Sullivan - Two Complete Operettas: The Mikado & Trial By Jury by Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey. The song's track number on the album is #7 out of 53 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. The Mikado: Act One, "Behold the Lord High Executioner" is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
Since The Mikado: Act One, "Behold the Lord High Executioner" by Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With The Mikado: Act One, "Behold the Lord High Executioner" being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
Music Key
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -8.42 dB
- Acousticness
- 94%
- Danceability
- 43%
- Energy
- 48%
- Instrumentalness
- 0%
- Liveness
- 36%
- Loudness
- 86%
- Speechiness
- 4%
- Valence
- 67%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | My Fair Lady, Act I Scene 6: Colonel Pickering, I Don't Understand | Frederick Loewe, Penelope Wilton, Malcolm Sinclair, Matt McDonald | F Major | 3 | 7B | 128 BPM | |
 | My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM | |
 | Galway Bay | Colehan, Josef Locke, Debroy Somers | E♭ Major | 2 | 5B | 92 BPM | |
 | Don Giovanni, K. 527, Act II: Aria. Il mio tesoro intanto | Wolfgang Amadeus Mozart, Michael Spyres, Moscow Chamber Orchestra, Constantine Orbelian | B♭ Major | 1 | 6B | 100 BPM | |
 | 9. The law is the embodiment | Arthur Sullivan, John Reed, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 3 | 8B | 104 BPM | |
![Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Just then, a duck came waddling round (The Duck) by New Philharmonia Orchestra, Richard Baker, Raymond Leppard](https://i.scdn.co/image/ab67616d00001e02f8f124b3c9cbe2123a602857) | Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Just then, a duck came waddling round (The Duck) | New Philharmonia Orchestra, Richard Baker, Raymond Leppard | A♭ Major | 1 | 4B | 81 BPM | |
 | Le nozze di Figaro, K. 492, Atto I Scena 5: No. 6, Aria. Non so più cosa son (Cherubino) | Wolfgang Amadeus Mozart, Angelika Kirchschlager, René Jacobs, Concerto Köln | E♭ Major | 1 | 5B | 79 BPM | |
 | Mozart: Die Zauberflöte, K. 620: "In diesen heil'gen Hallen" (Sarastro) | Wolfgang Amadeus Mozart, Kim Borg, Horst Stein, Deutsches Symphonie-Orchester Berlin | E Major | 1 | 12B | 78 BPM | |
 | Gounod: Faust, Act 3: "Je voudrais bien savoir" - Chanson. "Il était un roi de Thulé" (Marguerite) | Charles Gounod, Michel Plasson, Cheryl Studer, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Le nozze di Figaro, K.492 / Act 1: "Se vuol ballare, signor Contino" | Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Metropolitan Opera Orchestra, James Levine | F Major | 2 | 7B | 126 BPM | |
 | My Fair Lady: I Could Have Danced All Night (Piano Reduction) - Live at Metropolitan Opera, New York, 2023 | Frederick Loewe, Lise Davidsen, James Baillieu | C Major | 2 | 8B | 93 BPM | |
 | Trial by Jury: Hark, The Hour of Ten Is Sounding | Gilbert & Sullivan Society of Houston | A Major | 3 | 11B | 181 BPM | |
 | The Mikado: Act Two, "The Sun Whose Rays" | Gilbert & Sullivan, D'Oyly Carte Opera Company Chorus, The D'Oyly Carte Opera Company Orchestra, Isidore Godfrey | G Major | 1 | 9B | 91 BPM | |
 | Die Fledermaus, Act II: Finale. Brüderlein und Schwesterlein (Falke) | Johann Strauss II, Friedrich Haider, Miljenko Turk, WDR Rundfunkorchester Köln | F Major | 1 | 7B | 112 BPM | |
 | Britten: Paul Bunyan, Op. 17, Act II, Scene 2: The Christmas Party. "Another slice of turkey" (Chorus, Fido, Moppet, Poppet, Inkslinger, Tiny, Slim, Hel, Shears, Western Union Boy) | Benjamin Britten, Philip Brunelle, Clifton Ware, Dan Dressen, Elisabeth Comeaux, James Bohn, James McKeel, James Westbrock, Janis Hardy, Maria Jette, Sue Herber, Orchestra Of The Plymouth Music Series | D Major | 1 | 10B | 128 BPM | |
 | La Verbena de la Paloma, Act I: Mazurka (Casta, Susana, Antonia, Hilarión) | Tomás Bretón, Silvia Tro, Maria Bayo, Ana M. Amengual, Rafael Castejon, Antoni Ros Marbá, Orquesta Sinfónica de Madrid | D Major | 2 | 10B | 76 BPM | |
 | Emily — No Prisoner Be: No. 15, The Props assist the House | Kevin Puts, Time For Three, Joyce DiDonato | C Major | 2 | 8B | 93 BPM | |
 | Vissi D'arte - Tosca Atto Ii | Renata Tebaldi | C Major | 2 | 8B | 93 BPM | |
 | Humperdinck : Hänsel und Gretel : Act 3 "Der Teig ist gar, wir können voranmachen" [The Nibblewitch] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | B Major | 1 | 1B | 76 BPM | |
 | Amo | Beloxxy | A♭ Major | 1 | 4B | 97 BPM | |
 | Street Scene: Lonely House | Kurt Weill, Brian Sullivan, Maurice Abravanel | A♭ Major | 3 | 4B | 88 BPM | |
 | Voi, che sapete (Le nozze di Figaro) | Rise Stevens | B♭ Major | 1 | 6B | 70 BPM | |
 | Sei ariette da camera: No. 1, Malinconia, ninfa gentile | Vincenzo Bellini, Juan Diego Flórez, Vincenzo Scalera | C Major | 2 | 8B | 93 BPM | |
| Humperdinck : Hänsel und Gretel : Act 3 "Mir ist so wohl, ich weiss nicht wie!" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | A♭ Major | 0 | 4B | 116 BPM | |
 | Gloria, FP 177: II. Laudamus te | Francis Poulenc, Britten Sinfonia, Polyphony, Stephen Layton, The Choir Of Trinity College, Cambridge | D Minor | 2 | 7A | 130 BPM |
- ISRC
- GBJ2F1111970
- Label
- L-M Records/RCA Records