Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Just then, a duck came waddling round (The Duck) by New Philharmonia Orchestra, Richard Baker, Raymond Leppard Song Details

New Philharmonia Orchestra, Richard Baker, Raymond Leppard's 'Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Just then, a duck came waddling round (The Duck)' had a release date set for February 5, 2006. The duration of This song is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Just then, a duck came waddling round (The Duck)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Prokofiev: Peter and the Wolf . Rawsthorne: Practical Cats etc". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Just then, a duck came waddling round (The Duck) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Peter and the Wolf - A Musical Tale for Children Op. 67 [Baker version] (1995 Digital Remaster): Just then, a duck came waddling round (The Duck) by New Philharmonia Orchestra, Richard Baker, Raymond Leppard having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Music Key

This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -26.669 dB
Acousticness: 93%
Danceability: 33%
Energy: 5%
Instrumentalness: 2%
Liveness: 10%
Loudness: 56%
Speechiness: 6%
Valence: 24%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Bacchanale - 1987 Remastered Version	Jacques Ibert, City Of Birmingham Symphony Orchestra, Louis Frémaux	E Major	0	12B	92 BPM
My Fair Lady: Overture	Frederick Loewe, Sinfonia Of London, John Wilson	C Major	2	8B	87 BPM
Flourish Forever	Fiona Ubong	B♭ Minor	1	3A	66 BPM
Ma mère l'oye, M. 60 (Version for Orchestra): II. Petit poucet	Maurice Ravel, The Prague Festival Orchestra, Pavel Urbanek	C Minor	1	5A	79 BPM
Spartacus, Act I: Dance of a Greek Slaves (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Minor	1	9A	111 BPM
Teil 7 - Folge 32: Professor van Dusen und das Auge des Zyklopen	Professor van Dusen, Michael Koser, Friedrich W. Bauschulte, Klaus Herm, Herbert Stass, Arnold Marquis, Helmut Wildt, Eva Manhardt, Susanna Bonaséwicz, Ingrid Kaehler	F Minor	1	4A	63 BPM
Debussy: Children's Corner, L. 119: VI. Golliwog's Cake-walk (Orch. Caplet)	Claude Debussy, André Cluytens, Orchestre National Radiodiffusion Française	F Minor	1	4A	113 BPM
Alice Poems: No. 2, Tweedledum & Tweedledee	Alan Ridout, Richard Baker, Coull Quartet	A Minor	2	8A	92 BPM
Children To The Abbey	Irwin Kostal	C Major	2	8B	157 BPM
Peter and the Wolf, Op. 67: XII. The Hunters Arrive	Wiener Opernorchester	A♭ Major	1	4B	99 BPM
My Fair Lady, Act I Scene 7: Ascot Gavotte	Frederick Loewe, Sinfonia Of London, John Wilson	F♯ Minor	3	11A	62 BPM
Bronze Horseman Suite: IIb. Parasha. Andantino	Reinhold Glière, Sir Edward Downes, BBC Philharmonic	G Minor	0	6A	86 BPM
32. A rollicking band of pirates we	Arthur Sullivan, Owen Brannigan, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey	F Major	0	7B	85 BPM
Fortune Telling (After G. Bizet)	Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar	F Minor	1	4A	113 BPM
A Menina do Mar, Pt 1	Sophia De Mello Breyner Andresen	C Major	4	8B	81 BPM
Raymonda, Act I: Scene 1. 1er Tableau (Lento maestoso)	Alexander Glazunov, Kivov Orchestra, Viktor Fedotov	E♭ Major	1	5B	81 BPM
Tales of Beatrix Potter: The Tale of Squirrel Nutkin	John Lanchbery, Orchestra of the Royal Opera House, Covent Garden, Orch.Of Royal Opera House Covent Garden	G Major	2	9B	113 BPM
Zuiderzee-ballade	The Royal Wind Music	D♭ Major	2	3B	133 BPM
Songs of the Fleet, Op. 117: I. Sailing at Dawn	Charles Villiers Stanford, Richard Hickox, BBC National Orchestra Of Wales, Gerald Finley, BBC National Chorus of Wales	E♭ Major	1	5B	128 BPM
Het Olifantje Babar, FP 129: Babar vlucht	Francis Poulenc, Frank Groothof, Othmar Maga, Het Residentie Orkest	A♭ Major	0	4B	86 BPM
Eight Russian Folksongs for Orchestra, Op. 58: VI. Cradle Song (Lullaby). Moderato	Anatoly Lyadov, Alexander Gauk	C Minor	2	5A	72 BPM
H.M.S. Pinafore, Act I: Sir Joseph's Barge Is Seen	Gilbert & Sullivan Society of Houston	E Minor	2	9A	102 BPM
Billy the Kid: No. 6, Celebration	Aaron Copland, Colorado Symphony, Andrew Litton	D Major	0	10B	92 BPM
Morning Glow	Nuit	F Minor	1	4A	113 BPM
Fauré: Requiem, Op. 48: IV. Pie Jesu	Gabriel Fauré, Robert Chilcott, Sir David Willcocks, New Philharmonia Orchestra	F Major	1	7B	180 BPM