Mussorgsky: Pictures at an Exhibition: Promenade I - I. Gnomus - Promenade II (Orch. Ravel, M. A 24) by Modest Mussorgsky, Philadelphia Orchestra, Riccardo Muti Song Details

"Mussorgsky: Pictures at an Exhibition: Promenade I - I. Gnomus - Promenade II (Orch. Ravel, M. A 24)" by Modest Mussorgsky, Philadelphia Orchestra, Riccardo Muti had its release date on January 1, 1979. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Philadelphia Orchestra, Riccardo Muti's "Mussorgsky, Ravel: Pictures from an Exhibition - Stravinsky: Suite from The Firebird" album is number 1 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Mussorgsky: Pictures at an Exhibition: Promenade I - I. Gnomus - Promenade II (Orch. Ravel, M. A 24) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Mussorgsky: Pictures at an Exhibition: Promenade I - I. Gnomus - Promenade II (Orch. Ravel, M. A 24) by Modest Mussorgsky, Philadelphia Orchestra, Riccardo Muti to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.

Music Key

This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 6%
Loudness: -13.889 dB
Acousticness: 67%
Danceability: 24%
Energy: 21%
Instrumentalness: 94%
Liveness: 7%
Loudness: 77%
Speechiness: 3%
Valence: 5%

Recommendations

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Piano Concerto in A minor, Op. 16: II. Adagio - Live	Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen	D Major	2	10B	121 BPM
Boris Godunov, Prologue Scene 1: "Na kogo zh ty nas pokidaesh?"	Modest Mussorgsky, Nikolai Rimsky-Korsakov, Станислав Сулейманов, Николай Низиенко, Людмила Юрченко, Нина Новосёлова, хор Большого театра, Mark Ermler, Оркестр Большого театра	A Minor	1	8A	88 BPM
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio	Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli	B♭ Major	1	6B	93 BPM
Symphony in D Minor, FWV 48 (Remastered): II. Allegretto	César Franck, Pierre Monteux, Chicago Symphony Orchestra	E♭ Minor	0	2A	72 BPM
Paradis: Sicilienne 파라디스 시실리안느	김준영	E♭ Major	0	5B	137 BPM
La Mer, L.109: 3. Dialogue Of The Wind And The Sea	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	D♭ Major	2	3B	83 BPM
Suite No. 3, P. 172: I. Italiana: Andantino	Ottorino Respighi, RTÉ National Symphony Orchestra	B♭ Major	1	6B	94 BPM
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": II. Andante	Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France	D Major	1	10B	129 BPM
Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro	Camille Saint-Saëns, Eugene Ormandy, E. Power Biggs, Philadelphia Orchestra	F Major	3	7B	111 BPM
4 Pieces, Op. 51: No. 1, Fragilité. Allegretto	Alexander Scriabin, Evgeny Kissin	E♭ Major	0	5B	69 BPM
1st Movement: Adaggio / Allegro Molto	London Philharmonic Orchestra	E Minor	1	9A	116 BPM
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer)	Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit	F♯ Major	1	2B	61 BPM
St. Paul's Suite, Op. 29 No. 2: II. Ostinato	Gustav Holst, English Sinfonia, Howard Griffiths	C Major	1	8B	108 BPM
8 Slavonic Dances, Op. 72, B. 147: 8. Sousedská. Grazioso e lento, ma non troppo, quasi tempo di valse	Antonín Dvořák, Czech Philharmonic, Jiří Bělohlávek	A♭ Major	1	4B	136 BPM
The Hebrides, Op. 26 "Fingal's Cave"	Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra	D Major	1	10B	137 BPM
Tristan und Isolde, WWV 90: Prelude To Act I	Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons	A Minor	1	8A	79 BPM
Violin Sonata in A major, FWV 8: IV. Allegretto poco mosso	César Franck, Joshua Bell, Jeremy Denk	A Major	1	11B	94 BPM
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato	Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach	D Major	1	10B	81 BPM
Pictures at an Exhibition (Orch. Ravel): II. Il castello vecchio "The Old Castle" - Recorded 1966	Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan	C Minor	1	5A	182 BPM
Notturno for Strings and Harp	Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe	A♭ Major	1	4B	75 BPM
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer	Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan	F Major	2	7B	74 BPM
Boris Godunov	Modest Mussorgsky, Choir of the Bolshoi Theater, Alexandr Ognivcev, Orchestra of The Bolshoi Theater, Vladimir Atlantov, Mark Ermler, Yevgeny Nesterenko, Yelena Obratsova, Yuri Mazurok	C Major	2	8B	80 BPM