On January 1, 1993, the song "American-African Blues - First Version" was released by Ricky Ford. This song appears to be safe for all ages as it is not explicit. The song is number 1 out of 8 in American-African Blues by Ricky Ford. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, American-African Blues - First Version's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of American-African Blues - First Version by Ricky Ford is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ol' Bill Basie - Audiophile Edition | Dave Brubeck | F Major | 4 | 7B | 92 BPM | ||
| Moon Mist | Ricky Ford | E♭ Major | 2 | 5B | 184 BPM | ||
| Back To The Tracks | Tina Brooks | F Minor | 4 | 4A | 106 BPM | ||
| Chill | Joshua Redman Quartet | A♭ Major | 2 | 4B | 118 BPM | ||
| The Call | Jacky Terrasson | B Minor | 3 | 10A | 106 BPM | ||
| My One and Only Love | Marc Hemmeler | F Major | 1 | 7B | 136 BPM | ||
| Friday Night At The Cadillac Club | Bob Berg, Randy Brecker, Dennis Chambers, Joey DeFrancesco | A♭ Major | 5 | 4B | 108 BPM | ||
| Everybody Gets the Blues | Eric Scott Reed | F♯ Major | 1 | 2B | 70 BPM | ||
| Blues-A-Plenty | Johnny Hodges & His Orchestra | D♭ Major | 1 | 3B | 70 BPM | ||
| Piazza sul Ponte | walkin around jazz | F Major | 2 | 7B | 81 BPM | ||
| The Uptown | Junior Mance | B♭ Minor | 5 | 3A | 96 BPM | ||
| Susurros del alma | Ryzon Sound | B♭ Minor | 5 | 3A | 96 BPM | ||
| What's Up With That | Rhoda Scott, Ricky Ford | D♭ Major | 6 | 3B | 119 BPM | ||
| A Long Gaze | SVÁNNE | B♭ Minor | 5 | 3A | 96 BPM | ||
| Rainy Mornin' Blues | Junior Mance Trio | G Major | 3 | 9B | 103 BPM | ||
| Golden Touch | Pattiford, Burke | A♭ Major | 4 | 4B | 91 BPM | ||
| Baierbaiao | Wolfgang Lackerschmid, Helio Alves, Nilson Matta, Duduka Da Fonseca, The Brazilian Trio | B♭ Minor | 5 | 3A | 96 BPM | ||
| Gospelette | Nat Adderley | F Major | 2 | 7B | 62 BPM | ||
| Kindred Minds | Camille Thurman, Enoch Smith Jr., Corcoran Holt, Rudy Royston | D Major | 3 | 10B | 82 BPM | ||
| Feathers with Attitude | oAo ~ Penguin Jazz ~ | F Minor | 5 | 4A | 94 BPM | ||
| Hidden Track | Ted Curson, Ricky Ford, Sarah Morrow, Tom McClung, Peter Giron, Doug Sides | C Minor | 1 | 5A | 141 BPM | ||
| Ghost of a Chance | Lennie Tristano | C Major | 3 | 8B | 82 BPM | ||
| Shirley | The SWR Big Band, Sammy Nestico, Decebal Badila, Klaus Wagenleiter | B♭ Minor | 3 | 3A | 116 BPM | ||
| Goodfellas | Joey DeFrancesco, Joe Ascione, Frank Vignola | G Major | 3 | 9B | 153 BPM | ||
| Take The 'A' Train | Ray Brown Trio | E Minor | 1 | 9A | 74 BPM |