Escape the Clouds's 'Steampunk Dogfight' had a release date set for August 24, 2011. With this song being around four minutes long, at 3:54, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Until the End". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Steampunk Dogfight's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Steampunk Dogfight by Escape the Clouds having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Smoldering | Danny McCarthy | F♯ Minor | 4 | 11A | 140 BPM | ||
| Empress | Mosh | E♭ Minor | 7 | 2A | 112 BPM | ||
| Oathpact Abandoned | Sandra Robinson Schnieders, The Black Piper, Laura Intravia | F Minor | 2 | 4A | 137 BPM | ||
| Reminiscence | Jo Blankenburg | A♭ Major | 6 | 4B | 90 BPM | ||
| Armageddon Game | Epic North | B♭ Minor | 6 | 3A | 120 BPM | ||
| Outlaw | Blue Stahli | F♯ Major | 8 | 2B | 128 BPM | ||
| Tuba Mech Warrior Boss Theme | Noah Giesler | F♯ Minor | 6 | 11A | 140 BPM | ||
| Trilobyte (Castle) | A Shell In The Pit | G Major | 9 | 9B | 140 BPM | ||
| Neon Red - Instrumental remix | Miracle Of Sound | D Major | 9 | 10B | 100 BPM | ||
| General Nausea | Gooseworx | B♭ Major | 6 | 6B | 110 BPM | ||
| Exhumed | Two Steps from Hell | D♭ Major | 9 | 3B | 130 BPM | ||
| Terminus | meganeko | G Major | 6 | 9B | 130 BPM | ||
| Lady in Waiting (feat. Unwoman) | Escape the Clouds | A Minor | 8 | 8A | 170 BPM | ||
| Monarchy | Mosh | G Major | 7 | 9B | 100 BPM | ||
| The Pizzicato Mafia | Sound Stabs | E Minor | 9 | 9A | 128 BPM | ||
| Satan's Arrival | Revolt Production Music | A♭ Major | 7 | 4B | 120 BPM | ||
| Gates of the Underworld | Veigar Margeirsson | F Minor | 6 | 4A | 84 BPM | ||
| Firebird | Phil Rey Gibbons, Felicia Farerre | A♭ Minor | 7 | 1A | 157 BPM | ||
| Rings in Rings in Rings | A Shell In The Pit | D♭ Minor | 3 | 12A | 117 BPM | ||
| Through Hardships | Neurotech | C Minor | 9 | 5A | 148 BPM | ||
| Overpowered | Phantom Power | D♭ Major | 8 | 3B | 173 BPM | ||
| Noosphere | Guillaume David | C Minor | 4 | 5A | 146 BPM | ||
| Warpath : Showdown - Instrumental | Arkady Ostrovsky, Lev Oshanin | C Major | 5 | 8B | 120 BPM | ||
| The Darkest Hour | Daniel Lenz | B♭ Major | 8 | 6B | 70 BPM | ||
| I Was the Sun (Before It Was Cool) [Novakid Theme] | Curtis Schweitzer | E Minor | 5 | 9A | 140 BPM |