Ravindra Sathe's ' "Mantrapushpanjali" was released on its scheduled release date, October 16, 2000. The duration of This song is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Mantrapushpanjali's duration is considered a little bit shorter than the average duration of a typical track. The song is number 19 out of 19 in Aarti Sangrah by Lata Mangeshkar, Ravindra Sathe, Uttara Kelkar. Going off of the ISRC code of this track, we detected that the origin of this track is from India. Based on our statistics, Mantrapushpanjali's popularity is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mantrapushpanjali by Ravindra Sathe is Allegro (fast, quick, and bright), since this song has a tempo of 151 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 4/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Various Shlokas | Koras | E Major | 3 | 12B | 127 BPM | ||
| Bhagavad Gita Adhyay, Pt. 8 | Shrirang Bhave | E♭ Major | 1 | 5B | 103 BPM | ||
| Om Venkatesaya Namaha (Chanting) | Ramu | D Major | 1 | 10B | 77 BPM | ||
| Moolamanthram | T. S. Aswini Sastry, T. S. Rohini Sastry | B Major | 5 | 1B | 112 BPM | ||
| Vedic Shanti Path (Om Dyo Shanti Antariksh Shanti) | Jatin | D♭ Major | 1 | 3B | 135 BPM | ||
| Laxmi Suktam | Dixit Guru | E Major | 5 | 12B | 77 BPM | ||
| Ashtalakshmi Sthothram | Mambalam Sisters | G Major | 2 | 9B | 111 BPM | ||
| Om Sri Yoganrusimhaya Namaha | Bangalore Sisters, Ramesh Chandra, Ajey Warrior | F♯ Major | 1 | 2B | 74 BPM | ||
| Hanuman Ji Ka Sarv Badha Nivarak | Prem Prakash Dubey | G Major | 5 | 9B | 113 BPM | ||
| Chidananda Roopah Shivoham - Nirvana Shatakam | Roop Kumar Rathod, Ravindra Sathe | A♭ Major | 0 | 4B | 75 BPM | ||
| Dasarathkrutha Shani Stotram | Navagrahas | E Major | 2 | 12B | 81 BPM | ||
| Aarti Dnyanraja | Ravindra Sathe | E♭ Major | 5 | 5B | 107 BPM | ||
| Rudra Sukta | Ved Vrind | B Major | 2 | 1B | 70 BPM | ||
| Bhagavad Gita, Pt. 14 - Gunatraya Vibhaga Yoga | Pt. Ved Prakash Phondani | E♭ Major | 3 | 5B | 111 BPM | ||
| Om Kem Ketave Namah 108 Times (Ketu Mantra) | Manjeera Ganguly | B♭ Major | 4 | 6B | 81 BPM | ||
| Darshan Paath | Arohi Anil Agarkar | F♯ Minor | 7 | 11A | 82 BPM | ||
| Shri Dutta Aarti | Ravindra Sathe | D Major | 5 | 10B | 109 BPM | ||
| Budhama M | Rinkoo Giri | E♭ Major | 2 | 5B | 122 BPM | ||
| Bhagavad Gita Adhyay, Pt. 7 | Shrirang Bhave | G Minor | 1 | 6A | 86 BPM | ||
| Siddha Kunjika Stotra Mantra | Shrikrishna Sawant | F Major | 2 | 7B | 143 BPM | ||
| Vishnu Chalisa | Shraddha Jain | D Major | 5 | 10B | 90 BPM | ||
| Durga Saptashati-Ninth Chapter | Pt. Hari Nath Jha | E♭ Major | 3 | 5B | 116 BPM | ||
| Swastivachanam | Divya Jyoti Jagrati Sansthan | A♭ Major | 4 | 4B | 129 BPM | ||
| Purushasuktam | Yashasvi Ramakrishna Sharma, Anand, Sriram | A Major | 5 | 11B | 169 BPM | ||
| Vinayaka Ashtottaram | Bangalore Sisters, Ajey Warrior, M. S. Pareekshita Rao | F Major | 1 | 7B | 139 BPM |