约翰·施特劳斯, 赵梓涵's '蓝色多瑙河圆舞曲(作品314号)(导赏版)' had a release date set for 2021. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 你好,华尔兹——不得不听的世界著名圆舞曲, so we believe that "蓝色多瑙河圆舞曲(作品314号)(导赏版)" is a single. In terms of popularity, 蓝色多瑙河圆舞曲(作品314号)(导赏版) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 蓝色多瑙河圆舞曲(作品314号)(导赏版) by 约翰·施特劳斯, 赵梓涵 is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| La source, ou Naila: Suite No. 2: Suite No. 2: Pas de la Guzla | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Minor | 0 | 8A | 128 BPM | ||
| Az intezett veszedelem vagy Hazy szeretete (Threatening Danger or Love of the Fatherland): VI. Az el menes [Marching off] | Antal Gyorgy Csermak, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 149 BPM | ||
| No. 6 Lento: Oberösterreicherin | Josef Bayer, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 151 BPM | ||
| Nymphen-Polka, Op. 50 | Josef Strauss, Slovak State Philharmonic Orchestra, Kosice, Walter Hilgers | C Major | 2 | 8B | 75 BPM | ||
| Der Vogelhändler · Operette in 3 Akten (1988 Digital Remaster): Vorspiel (Orchester) | Carl Zeller, Anneliese Rothenberger, Adolf Dallapozza, Gisela Litz, Gerhard Unger, Walter Berry, Chor der Wiener Staatsoper in der Volksoper, Wiener Symphoniker, Renate Holm, Jürgen Förster, Karl Dönch, Wolfgang Anheisser, Willi Boskovsky | G Major | 2 | 9B | 109 BPM | ||
| Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess" | Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock | G Major | 1 | 9B | 97 BPM | ||
| Ballet Suite No. 3: II. Gavotte | Dmitri Shostakovich, Dmitri Kitayenko, Radio-Sinfonie-Orchester Frankfurt, Hr-sinfonieorchester | C Major | 1 | 8B | 152 BPM | ||
| La Polka Des Lions | Wojciech Kilar, L'Orchestre Symphonique De La Radio Et De La Télévision Polonaise, Stanisław Wisłocki | C Major | 6 | 8B | 123 BPM | ||
| Carmen Suite No. 1: V. Les Toreadors, Theme from Prelude to Act I | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| Neva Polka, Op. 288 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | E♭ Major | 4 | 5B | 80 BPM | ||
| Carmen Suite No. 2: II. Habanera | Georges Bizet, Russian Philharmonic Orchestra, Samuel Friedmann | D Major | 0 | 10B | 98 BPM | ||
| Opening Waltz (Onegin Ballet Suite No 13) | Pyotr Ilyich Tchaikovsky, Sydney Symphony Orchestra, John Lanchbery | A Major | 1 | 11B | 101 BPM | ||
| Cortège, JS 54 | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | A Major | 2 | 11B | 74 BPM | ||
| "Kettentanz" ~ Strauss: Annen Polka, Op. 137 | London Symphony Orchestra | D Major | 3 | 10B | 84 BPM | ||
| 3 Marches militaires, D. 733: Marche Militaire in D Major, Op. 51, No. 1 (Arr. Weninger) | Franz Schubert, Wiener Philharmoniker, Hans Knappertsbusch | D Major | 7 | 10B | 138 BPM | ||
| Zar und Zimmermann, LoWV 38 / Act 3: Ballett (Holzschuhtanz) | Albert Lortzing, Bamberg Symphony, Hans Gierster | E♭ Major | 2 | 5B | 189 BPM | ||
| The Nutcracker, Op. 71: Act II: No. 13, Waltz of the Flowers | Slovak Radio Symphony Orchestra, Ondrej Lenard | D Major | 1 | 10B | 178 BPM | ||
| Jazz Suite No. 2: III. Dance 1 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 3 | 11B | 153 BPM | ||
| Gounod: Faust, CG 4, Act 5 Scene 2: Ballet Music, 4. Variations de Cléopâtre (Moderato maestoso) | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | B♭ Major | 0 | 6B | 74 BPM | ||
| 鏡の踊り 歌劇「ファウスト」 バレエ音楽より | Charles Gounod, Tokyo Symphony Orchestra | G Major | 1 | 9B | 85 BPM | ||
| Les Patineurs Valse (The Skater's Waltz), Op. 183 (from Chariots of Fire) | Émile Waldteufel, Frank Shipway, London Philharmonic Orchestra | E♭ Major | 3 | 5B | 111 BPM | ||
| La Donna è Mobil | Richard Abel | G Major | 3 | 9B | 134 BPM | ||
| Acelerações | J. Strauss Li | G Major | 3 | 9B | 94 BPM | ||
| Satie: Le Piccadilly ou la Transatlantique (Orchestral Version) | Erik Satie, Orchestre Du Capitole De Toulouse, Michel Plasson | D Minor | 1 | 7A | 105 BPM | ||
| Die Perle von Iberien: Estudiantina Polka | Joseph Hellmesberger, Jr., Czech Philharmonic Chamber Orchestra, John Georgiadis | B♭ Major | 0 | 6B | 153 BPM |