Shankar Mahadevan's ' "Sai Leelamritam" was released on its scheduled release date, December 1, 1983. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Sai Sudha". In this album, this song's track order is #4. Furthermore, we believe that the track originated from India. Based on our statistics, Sai Leelamritam's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Sai Leelamritam by Shankar Mahadevan having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mahalakshmi Raave | Sindhu | F Major | 4 | 7B | 143 BPM | ||
| Soundarya | M.M. Kirvaani, Usha, Vandemataram Srinivas, Dasari Narayana Rao | C Major | 6 | 8B | 170 BPM | ||
| Kaapada Ravela | Vishnu, Sujatha Dutt | B♭ Minor | 4 | 3A | 96 BPM | ||
| Podhama Srisailam | Aravind Sriram, Somayajula Murty, Maharajapuram Ramu | D Major | 6 | 10B | 174 BPM | ||
| Brama Kadigina Padamu | Nithya Santhoshini | A Major | 6 | 11B | 81 BPM | ||
| Smaravaaram Varam | Unnikrishnan | G Major | 5 | 9B | 78 BPM | ||
| Jaya Jaya Sri Hanuma | Mano | E Major | 5 | 12B | 97 BPM | ||
| Thane Thane | G Balakrishna Prasad | F Minor | 6 | 4A | 174 BPM | ||
| Okatava Mettu | Kalluri Muralikrishna | E♭ Major | 8 | 5B | 116 BPM | ||
| Abba Yem | Shankar Mahadevan, Anuradha Sriram | A♭ Major | 9 | 4B | 142 BPM | ||
| Amma Needu | Vani Jairam, K. V. Mahadevan, Rajasri | F Major | 7 | 7B | 101 BPM | ||
| Srihari Manohari Queen of Fortune | Dr. Josyabhatla, Pavani Vasa, Radhika Madhuri | E Minor | 5 | 9A | 166 BPM | ||
| Omkara Roopa Sri Anjaneya | Ramakrishna | D Major | 6 | 10B | 109 BPM | ||
| Dayato Nanu Kanuma | Kalluri Muralikrishna | F Major | 4 | 7B | 150 BPM | ||
| Mangalamani Mangalamani | Vedavathi Prabhakar | G Major | 2 | 9B | 145 BPM | ||
| Namo Namo Raghukula Nayaka | M. S. Subbulakshmi, Radha Viswanathan | A♭ Major | 4 | 4B | 159 BPM | ||
| Varalakshmi Devi Ravamma | Gopi Kapurnima, Purushothama Sai, Ponduri | B♭ Minor | 6 | 3A | 134 BPM | ||
| Dhinolla Bhrovamaya | Vani Jairam | A♭ Major | 6 | 4B | 97 BPM | ||
| Jaya Jaya Jaya Sri Venkatesha | Pradeep, Pondhuri, Sivaprasad | D Major | 6 | 10B | 174 BPM | ||
| Vibhudi Mahima | K. S. Chithra | F Major | 4 | 7B | 132 BPM | ||
| Entamatramuna | Mrs Y. V. S. Padmavathi | F♯ Major | 5 | 2B | 156 BPM | ||
| Sree Krisnamrutham | Dr. Josyabhatla, Kameswari Charan, Yashwanth Aluru | G Major | 5 | 9B | 140 BPM | ||
| Sirulunu Goorchi | Vijayalakshmi Sharma, B.Ramana, Sindhu, Usha Raj | D Major | 6 | 10B | 81 BPM | ||
| Hari Hara Suthude | N. Jayaram | D♭ Major | 6 | 3B | 84 BPM | ||
| Nee Padhamula - Male | M. M. Keeravani | E Major | 6 | 12B | 152 BPM |