- BPM
- 154
- Key
- E Major
- Camelot
- 12B
Amazing Grace by Barbara Hendricks, Ulf Englund Song Details
"Amazing Grace" by Barbara Hendricks, Ulf Englund had its release date on October 1, 2018. The duration of This song is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Amazing Grace's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "The Road to Freedom". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Belgium. Based on our statistics, Amazing Grace's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Amazing Grace by Barbara Hendricks, Ulf Englund having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
Music Key
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -16.913 dB
- Acousticness
- 96%
- Danceability
- 23%
- Energy
- 22%
- Instrumentalness
- 0%
- Liveness
- 72%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 12%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Requiem: I. Requiem Aeternam | Giuseppe Verdi, Sir Colin Davis, Christine Brewer, Karen Cargill, London Symphony Orchestra, Stuart Neill, John Relyea | A Minor | 0 | 8A | 85 BPM | |
 | Bizet: Les pêcheurs de perles, WD 13, Act 2: Entracte, chœur et scène. "L'ombre descend des cieux" (Chœur, Nourabad, Leïla) | Georges Bizet, Michel Plasson, Barbara Hendricks, Choeur Du Capitole De Toulouse, Jean-Philippe Courtis, Orchestre Du Capitole De Toulouse | A Minor | 0 | 8A | 83 BPM | |
 | Puccini: Messa di Gloria: Gloria in excelsis Deo - In terra pax - Laudamus te | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | A♭ Major | 2 | 4B | 108 BPM | |
 | Petite Messe solennelle - Gloria: Cum Sancto Spiritu | Gioachino Rossini, Academy of St Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 81 BPM | |
| Bizet: Les pêcheurs de perles, WD 13, Act 2: Chanson. "De mon amie, fleur endormie" (Leïla, Nadir) | Georges Bizet, Orchestre Du Capitole De Toulouse, Michel Plasson, Barbara Hendricks, John Aler | D Minor | 0 | 7A | 110 BPM | |
 | Duparc: Phidylé: "L'herbe est molle au sommeil sous les frais peupliers" (Lent et calme) | Henri Duparc, Barbara Hendricks, John Eliot Gardiner, Orchestre De L'Opéra National De Lyon | A♭ Major | 0 | 4B | 69 BPM | |
 | Deep River | Traditional Gospel, Barbara Hendricks | D Minor | 2 | 7A | 115 BPM | |
![The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] by Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes](https://i.scdn.co/image/ab67616d00001e023a8903fac78cdbba6ffd32f1) | The Queen of Spades (Pique Dame), Op. 68, the Queen of Spades, Op. 68, Act II: Ya vas liubliu [I Love You] | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 103 BPM | |
 | Carmina Burana / III. Cour d'amours: "Stetit puella" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 1 | 7A | 180 BPM | |
 | Strauss, R: 4 Lieder, Op. 27: No. 4, Morgen! (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, London Symphony Orchestra | G Major | 1 | 9B | 75 BPM | |
 | Gounod: Faust, CG 4, Act 1 Scene 1: No. 1, Introduction | Charles Gounod, Michel Plasson, Orchestre Du Capitole De Toulouse, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Puccini: Messa di Gloria: XVI. Agnus Dei qui tollis peccata mundi | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano, Roberto Alagna, Thomas Hampson | C Major | 1 | 8B | 136 BPM | |
 | Norma / Act 1: Casta Diva | Vincenzo Bellini, Renée Fleming, London Voices, London Philharmonic Orchestra, Sir Charles Mackerras | F Major | 1 | 7B | 107 BPM | |
 | Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Gloria in excelsis Deo | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 86 BPM | |
 | La Cenerentola, Act I: Aria. Una volta c'era un re | Gioachino Rossini, Teresa Berganza, Margherita Guglielmi, Laura Zannini, Ugo Trama, London Symphony Orchestra, Claudio Abbado | D Major | 2 | 10B | 85 BPM | |
 | Gounod: Messe solennelle de Sainte Cécile: III. Credo | Charles Gounod, Georges Prêtre, Barbara Hendricks, Choeur de Radio France, Jean-Philippe Lafont, Laurence Dale, Nouvel Orchestre Philharmonique de Radio France | C Major | 0 | 8B | 126 BPM | |
 | Penderecki: A Polish Requiem: No. 10, Lacrimosa (Soprano, Chorus) | Krzysztof Penderecki, Barbara Hendricks, Eric Ericson, Swedish Radio Symphony Orchestra | D♭ Major | 0 | 3B | 84 BPM | |
 | Beethoven: Fidelio, Op. 72, Act 1: Quartett. "Mir ist so wunderbar" (Marzelline, Leonore, Jaquino, Rocco) | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan, Helen Donath, Helga Dernesch, Horst Laubenthal, Karl Ridderbusch | G Major | 1 | 9B | 74 BPM | |
 | Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Sabine Devieilhe, Raphaël Pichon | E♭ Major | 1 | 5B | 181 BPM | |
 | Saint-Saëns: Samson et Dalila, Op. 47, Act 2: Air. "Mon cœur s'ouvre à ta voix" (Dalila, Samson) | Camille Saint-Saëns, Sir Colin Davis, Olga Borodina, José Cura, London Symphony Orchestra | D♭ Major | 1 | 3B | 129 BPM | |
 | Ave Maria (Ellen's Gesang) D.839 | Barbara Hendricks, Stockholm Chamber Orchestra, Erik Lundkvist, Eric Ericson | B♭ Major | 0 | 6B | 102 BPM | |
 | Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | |
 | 4 Lieder, Op. 27, TrV 170: No. 4, Morgen! | Richard Strauss, Lise Davidsen, Zsolt-Tihamér Visontay, Philharmonia Orchestra, Esa-Pekka Salonen | G Major | 0 | 9B | 171 BPM | |
 | Carmen, Act III: Air: Je dis que rien ne m'épouvante (Micaëla) | Georges Bizet, Inva Mula/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 0 | 9B | 73 BPM | |
 | La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM |
- ISRC
- BEF641819104
- Label
- L-M Records/RCA Records