M. S. Rama Rao's ' "Hanuman Chalisa" was released on its scheduled release date, September 30, 1987. This song appears to be safe for all ages as it is not explicit. The track order of this song in P. Susheela, M. S. Rama Rao, S. P. Balasubrahmanyam's "Hanuman Chalisa & Sri Rama Gaanamrutham" album is number 2 out of 11. In terms of popularity, Hanuman Chalisa is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Hanuman Chalisa by M. S. Rama Rao to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sriraamuni Charithamunu | P. Susheela, P. Leela | F♯ Minor | 5 | 11A | 144 BPM | ||
| Telugu Hanuman Chalisa Part - I | M. S. Rama Rao | C Major | 2 | 8B | 75 BPM | ||
| Adhigadhigo | S. P. Balasubrahmanyam | D Major | 6 | 10B | 133 BPM | ||
| Sri Sai Ashtakam | B.Ramana, Parupalli Ranganath | A♭ Major | 4 | 4B | 88 BPM | ||
| Raayinaina Kaakapothini | P. Susheela | B Minor | 5 | 10A | 114 BPM | ||
| Bhal Bhale Andhaalu | Ghantasala | F♯ Minor | 6 | 11A | 111 BPM | ||
| Adi Lakshmi | S. Janaki, Priya Sisters | D♭ Minor | 5 | 12A | 144 BPM | ||
| Sarileru Neeku | Partha Saradhi | B♭ Major | 5 | 6B | 99 BPM | ||
| Marugelara O Raghava | Nitya Santoshini | F♯ Minor | 4 | 11A | 91 BPM | ||
| Maha Padma Sadmey | Saketh Komanduri, M. M. Keeravaani, Vedavyasa | E Major | 7 | 12B | 154 BPM | ||
| Shanti Nikethana | K. S. Chithra, Rajesh | E Major | 4 | 12B | 100 BPM | ||
| Veerabhadra Dhandakam | Parthasarathi | C Minor | 4 | 5A | 85 BPM | ||
| Kaala Bairavashtakam | Sudula Bandhavi, T Hari | F♯ Major | 9 | 2B | 142 BPM | ||
| Thandrimatanu | Sunitha | F Major | 2 | 7B | 138 BPM | ||
| Sri Ranga Ganga | Mahanadi Shobana, Vennelakanti | G Major | 5 | 9B | 84 BPM | ||
| Paluke Bangaramayera | M. M. Keeravaani, K. S. Chithra | A Minor | 4 | 8A | 96 BPM | ||
| Oh Malaya Pavanama | M. S. Rama Rao, Raavu Balasaraswathi | D Major | 4 | 10B | 150 BPM | ||
| Seetharam Seetharam | Relangi | G Minor | 4 | 6A | 81 BPM | ||
| Ea Theeruga Nanu Dhaya Choochedhavo | M. Balamuralikrishna | B Major | 4 | 1B | 88 BPM | ||
| Mahalakshmi Raave | Sindhu | F Major | 4 | 7B | 143 BPM | ||
| Saranu Ghosha | Partha Saradhi | A Major | 7 | 11B | 85 BPM | ||
| Aata Kada Jananalu | Veena Pani, Tanikella Bharani | D Minor | 4 | 7A | 143 BPM | ||
| Gogullo Gogullo | A. Ramadevi | E Major | 8 | 12B | 96 BPM | ||
| Sri Vigeswara Dandakam | V. Ramakrishna | G Major | 6 | 9B | 106 BPM | ||
| Aditya Hrudayam | Prasath Sai, Ram Kumar | A Minor | 4 | 8A | 90 BPM |