Raphaël Feuillâtre's 'Aquarelle: II. Valseana' had a release date set for July 4, 2018. The duration of This song is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Aquarelle: II. Valseana's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Raphaël Feuillâtre: Guitar Recital". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United States. Based on our statistics, Aquarelle: II. Valseana's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Aquarelle: II. Valseana by Raphaël Feuillâtre having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Prélude (Arr. Lewin for 2 Guitars) | Olivia Belli, Alexandra Whittingham, Plínio Fernandes | C Minor | 1 | 5A | 149 BPM | ||
| Larghetto in G Major, Op. 11: I. Larghetto espressivo | Louis Ferdinand Von Preußen, Trio Parnassus, Thomas Selditz, Stanislau Anishchanka | B Major | 2 | 1B | 100 BPM | ||
| 7 Canciones populares Españolas: No. 5, Nana | Manuel de Falla, Pablo Ferrandez, Denis Kozhukhin | A Minor | 0 | 8A | 170 BPM | ||
| Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Reed Tetzloff, John Eliot Gardiner, Orchestre Philharmonique Du Luxembourg | D♭ Major | 0 | 3B | 92 BPM | ||
| An die Musik, Op. 88 No. 4, D. 547 | Franz Schubert, Harriet Krijgh, Magda Amara | D Major | 1 | 10B | 78 BPM | ||
| Dvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Anneleen Lenaerts | F♯ Major | 0 | 2B | 168 BPM | ||
| Bachianas Brasileiras No. 5, W389 | Heitor Villa-Lobos, Jian Wang, Göran Söllscher | D Minor | 0 | 7A | 122 BPM | ||
| La Catedral: I. Preludio saudade | Agustín Barrios Mangoré, Raphaël Feuillâtre | B Minor | 1 | 10A | 90 BPM | ||
| The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Yuja Wang, Boston Symphony Orchestra, Andris Nelsons | F Major | 1 | 7B | 104 BPM | ||
| Barrios Mangoré: Una limosnita por el amor de Dios | Agustín Barrios Mangoré, Thibaut García | D Major | 0 | 10B | 84 BPM | ||
| Main Theme/Love Theme (Arr. for Guitar by Sérgio Assad) - From “Cinema Paradiso” | Ennio Morricone, Andrea Morricone, Plínio Fernandes | E Major | 1 | 12B | 95 BPM | ||
| Water Drops, JS 216 | Jean Sibelius, Janine Jansen, Klaus Mäkelä | C Major | 1 | 8B | 101 BPM | ||
| Rodrigo: Concierto de Aranjuez: III. Allegro gentile | Joaquín Rodrigo, Thibaut García, Ben Glassberg, Orchestre National Du Capitole De Toulouse | D Major | 2 | 10B | 160 BPM | ||
| Kinderszenen, Op.15: No. 7. Träumerei | Robert Schumann, Pablo Ferrandez, Julien Quentin | D Minor | 1 | 7A | 109 BPM | ||
| 24 Exercises très faciles, Op. 35: No. 18 in E Minor. Andantino | Mats Bergström | E Minor | 1 | 9A | 83 BPM | ||
| 12 Songs for Guitar: No. 8, Here, There and Everywhere - Arr. for Guitar by T. Takemitsu | Toru Takemitsu, John Lennon, Paul McCartney, Giacomo Palazzesi | G Major | 0 | 9B | 82 BPM | ||
| Suite in the Old Style (excerpts, Arr. for Cello and Piano J. Sévilla-Fraysse): III. Minuet | Alfred Schnittke, Julie Sévilla-Fraysse, Anastasia Calmus | A Minor | 0 | 8A | 92 BPM | ||
| Sonata, Op. 61: II. Andante | Joaquín Turina, Jan Depreter | A Minor | 0 | 8A | 106 BPM | ||
| Ave verum corpus, K. 618 - Arr. for Solo Piano by F. Liszt | Wolfgang Amadeus Mozart, Benedetta Iardella | A♭ Minor | 1 | 1A | 71 BPM | ||
| John Dowland: Melancholy Galliard | Julian Bream | A♭ Major | 1 | 4B | 87 BPM | ||
| Prelude in D Minor, BWV 999 | Julian Bream | A Minor | 2 | 8A | 88 BPM | ||
| Liz on Top of the World (Arr. Assad for Guitar) - From “Pride & Prejudice” | Dario Marianelli, Plínio Fernandes | F♯ Minor | 4 | 11A | 148 BPM | ||
| Keyboard Sonata in F Minor, Kk. 466 - Upright Version | Domenico Scarlatti, Julius Asal | E♭ Major | 0 | 5B | 68 BPM | ||
| Beau soir, CD 84 (Performed on Harp & Saxophone) | Claude Debussy, Alis Huws, Jess Gillam | F♯ Minor | 0 | 11A | 88 BPM |