On February 25, 2022, the song "The Duke: Opening Credits" was released by George Fenton. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "The Duke (Original Motion Picture Soundtrack)". In this album, this song's track order is #1. In terms of popularity, The Duke: Opening Credits is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With The Duke: Opening Credits by George Fenton having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Valley of the Shadow - Instrumental | Thomas Newman | F Major | 0 | 7B | 106 BPM | ||
| Empty Store | George Fenton | G Major | 1 | 9B | 82 BPM | ||
| Emma Is Lost | Isobel Waller-Bridge, David Schweitzer | F Major | 0 | 7B | 105 BPM | ||
| The Princess Diaries Waltz - Score | John Debney | A Major | 2 | 11B | 137 BPM | ||
| The Aftermath | W.G. Snuffy Walden | G Minor | 1 | 6A | 63 BPM | ||
| How Much I Like You | Hans Zimmer, Heitor Pereira | D Major | 1 | 10B | 102 BPM | ||
| What's Your Dream? | Mark McKenzie | G Major | 1 | 9B | 93 BPM | ||
| Peas in a Pod | Rael Jones | D Major | 5 | 10B | 104 BPM | ||
| Love & the Rehearsal | Stephen Warbeck, Nick Ingman, Gavyn Wright | G Major | 1 | 9B | 89 BPM | ||
| Storybook | Geoff Zanelli, Jon Brion | A Minor | 1 | 8A | 77 BPM | ||
| The Wind | Jan A.P. Kaczmarek | E Minor | 2 | 9A | 67 BPM | ||
| First Time Outside | Zbigniew Preisner | B Minor | 1 | 10A | 102 BPM | ||
| Reunion | Joel McNeely | C Major | 1 | 8B | 75 BPM | ||
| Emily's Chemo | Mark McKenzie | B♭ Major | 0 | 6B | 70 BPM | ||
| Precious to Me | Rael Jones, Anthony Weeden | E Minor | 1 | 9A | 80 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| A Christmas Morning | Maurizio Malagnini | D Major | 2 | 10B | 82 BPM | ||
| The Royal Wedding | George Fenton | C Major | 1 | 8B | 134 BPM | ||
| The First Kiss (Veronica’s Theme) | George Fenton | B♭ Major | 1 | 6B | 89 BPM | ||
| Bathsheba and Oak Unite | Craig Armstrong | G Major | 2 | 9B | 82 BPM | ||
| Glasgow Love Theme | Craig Armstrong | A Major | 1 | 11B | 79 BPM | ||
| Devonshire - Instrumental | Patrick Doyle, Robert Ziegler, Tony Hymas | F Major | 1 | 7B | 174 BPM | ||
| Far from the Madding Crowd Love Theme | Craig Armstrong | A Minor | 3 | 8A | 87 BPM | ||
| The Princess Diaries Medley - Score | John Debney | F Major | 1 | 7B | 73 BPM | ||
| Under the Umbrella (End Title) - Instrumental | Thomas Newman | G Major | 2 | 9B | 88 BPM |