Vincent von Haller's 'Midnight Manuscripts (Elegant Classical Music for Studying Late into the Night)' had a release date set for September 13, 2024. The duration of This song is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Midnight Manuscripts (Elegant Classical Music for Studying Late into the Night)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 18 in Dark Academia Gothic Classical Music for Studying and Reading – Focus, Concentration, Relaxation, Instrumental Background, Calm, Deep Focus, Productivity, Atmospheric, Intellectual Ambiance, And Study Vibes by Vincent von Haller. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Midnight Manuscripts (Elegant Classical Music for Studying Late into the Night) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Midnight Manuscripts (Elegant Classical Music for Studying Late into the Night) by Vincent von Haller is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cello Concerto in D Major, G. 479: III. Allegro | Luigi Boccherini, Tim Hugh, Scottish Chamber Orchestra, Anthony Halstead | E Minor | 1 | 9A | 96 BPM | ||
| Concerto Grosso in D Minor "La Folia" | Francesco Geminiani, Orchestre De Chambre De Toulouse, Gilles Colliard | B Minor | 2 | 10A | 85 BPM | ||
| Violin Sonata in D Minor, Op. 5 No. 7: II. Corrente. Allegro | Arcangelo Corelli, Trio Corelli | D♭ Minor | 3 | 12A | 97 BPM | ||
| Overture in D Major, Op. 8, No. 4: II. Un poco andante | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 0 | 9B | 165 BPM | ||
| Echoes in Harmony (Light Opera Music with Melodic Flow for a Calming Study Environment) | Vincent von Haller | D Major | 0 | 10B | 114 BPM | ||
| Chamber of Tranquility (Peaceful Opera Themes for Deep Focus and Reflection) | Vincent von Haller | D Major | 2 | 10B | 167 BPM | ||
| Concerto grosso in B flat major, Op. 3/1, HWV 312: I. Allegro | George Frideric Handel, Kammerorchester Basel | D♭ Minor | 3 | 12A | 148 BPM | ||
| Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F Major | 1 | 7B | 74 BPM | ||
| Trumpet Concerto No. 2 in E-Flat Major: I. Allegro ma moderatamente | Johann Wilhelm Hertel, Czech Philharmonic Chamber Orchestra, Petr Skvor, Miroslav Kejmar | E♭ Major | 1 | 5B | 117 BPM | ||
| Concerto Grosso in F Major, Op. 6, No. 2, HWV 320: IV. Allegro, ma non troppo | George Frideric Handel, Orpheus Chamber Orchestra | D Minor | 3 | 7A | 133 BPM | ||
| Cello Concerto in D Major, G. 479: III. Allegro | Luigi Boccherini, Constantin Macherel, Sebastian Comberti | D Major | 2 | 10B | 152 BPM | ||
| Van Wassenaer: Concerto Armonico No. 2 in B-Flat Major: III. Adagio affettuoso | Unico Wilhelm van Wassenaer, Amsterdam Baroque Orchestra, Ton Koopman | G Minor | 3 | 6A | 78 BPM | ||
| Das Waldmädchen: No. 9, Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 1 | 11B | 127 BPM | ||
| Violin Concerto No. 3 in A Major, Hob. VIIa:3: II. Adagio moderato | Joseph Haydn, Augustin Hadelich, Kolner Kammerorchester, Helmut Müller-Brühl | C Minor | 1 | 5A | 111 BPM | ||
| Paganini: Centone di sonate, Op. 64, Lettera A, Sonata No. 2 in D Major: I. Adagio cantabile | Niccolò Paganini, Gyorgy Terebesi, Sonja Prunnbauer | A Major | 1 | 11B | 112 BPM | ||
| Sonata No. 1 in G Major: III. Andante | Georg Philipp Telemann, Angèle Dubeau | B Minor | 0 | 10A | 163 BPM | ||
| Vittoria O Disfatta | Gangli | B♭ Minor | 2 | 3A | 100 BPM | ||
| El por qué del espacio | Juan Pablo Fernández Ramos | G Major | 0 | 9B | 120 BPM | ||
| Marcello: Flute Concerto in C Minor: II. Adagio (Transcr. of Oboe Concerto) | Alessandro Marcello, Jean-Pierre Rampal, I Solisti Veneti, Claudio Scimone | A Minor | 2 | 8A | 72 BPM | ||
| Lunar Drift | Nomad Skies | E Major | 3 | 12B | 178 BPM | ||
| Sammartini: Flute Concerto in F Major: III. Allegro assai | Giuseppe Sammartini, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | C Major | 1 | 8B | 67 BPM | ||
| Concerto No. 6 In A Minor RV 356: I. Allegro (Vivaldi) | Accademia Bizantina | A♭ Minor | 2 | 1A | 104 BPM | ||
| Halljuk (Hear! Hear!) Csardas | Márk Rózsavölgyi, Budapest Strings, Karoly Botvay | D Minor | 1 | 7A | 171 BPM | ||
| Flute Concerto No. 2 in G Major: II. Cantabile | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 0 | 9B | 101 BPM | ||
| Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 4 | Franz Schubert, Krzysztof Kaczka, Members of the Met Orchestra | E Major | 2 | 12B | 83 BPM |