"Jack's Death" by Nick Glennie-Smith had its release date on February 20, 2002. With This song being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of We Were Soldiers - Original Motion Picture Score by Nick Glennie-Smith. The song's track number on the album is #14 out of 17 tracks. Based on our data, United States was the country where this track was produced or recorded. Jack's Death is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Jack's Death by Nick Glennie-Smith has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Jack's Death being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 1/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Body Heat | Harald Kloser | A Minor | 1 | 8A | 83 BPM | ||
| Pain | Alken Menses, Alk Mezain | D Major | 3 | 10B | 90 BPM | ||
| You Saw Pop? | Nick Glennie-Smith | C Minor | 1 | 5A | 79 BPM | ||
| The Bridge Of Khazad-Dum (From "The Lord Of The Rings") | Eurielle | F Minor | 2 | 4A | 64 BPM | ||
| BLACK HAWK DOWN: Leave No Man Behind | The Meridian Studio Ensemble | A Minor | 2 | 8A | 84 BPM | ||
| Ships Passing In The Night | Blake Neely | D Major | 1 | 10B | 71 BPM | ||
| The White House | Joseph Vitarelli | E♭ Major | 2 | 5B | 76 BPM | ||
| My Name is Milo | Clinton Shorter | B♭ Minor | 3 | 3A | 140 BPM | ||
| Final Hope | Audiomachine | D♭ Major | 5 | 3B | 179 BPM | ||
| Scrambled Message | Blake Neely | D♭ Major | 4 | 3B | 92 BPM | ||
| Seconds Lost | John Ottman | E Minor | 1 | 9A | 81 BPM | ||
| A Beach of Bodies | Junkie XL | F Minor | 2 | 4A | 114 BPM | ||
| Healing the Leper | Roque Baños | G Major | 0 | 9B | 86 BPM | ||
| Dark Hooks | Konfusia Clayman, Konfusi Clayton | B Minor | 3 | 10A | 120 BPM | ||
| The Glade Part II | Trevor Jones | C Major | 1 | 8B | 81 BPM | ||
| Suicide | Marc Streitenfeld | C Major | 2 | 8B | 45 BPM | ||
| First Step | Nick Glennie-Smith | D Major | 3 | 10B | 83 BPM | ||
| A Return to Compassion | Bear McCreary | G Major | 1 | 9B | 163 BPM | ||
| 503 (From "Angels & Demons" Soundtrack) | Hans Zimmer, Joshua Bell, Nick Glennie-Smith | D Minor | 5 | 7A | 92 BPM | ||
| What Must Be Done | Nick Cave & Warren Ellis | C Minor | 1 | 5A | 80 BPM | ||
| The Truth Revealed | Nick Glennie-Smith | E♭ Major | 1 | 5B | 99 BPM | ||
| The Bourne Identity Main Title | John Powell | G Major | 4 | 9B | 81 BPM | ||
| Will Grows Up | William Ross | E♭ Major | 1 | 5B | 79 BPM | ||
| Fate of the Ninth | Ilan Eshkeri | F Major | 3 | 7B | 148 BPM | ||
| Thinking Of Marie | John Powell | D♭ Minor | 0 | 12A | 99 BPM |