S. P. Balasubrahmanyam's ' "Pranamya Shirasa Devam" was released on its scheduled release date, 2001. With this song being around four minutes long, at 3:51, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Vishwa Vinayaka by S. P. Balasubrahmanyam, Shankar Mahadevan. The song's track number on the album is #2 out of 6 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Pranamya Shirasa Devam is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since Pranamya Shirasa Devam by S. P. Balasubrahmanyam has a tempo of 95 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Pranamya Shirasa Devam being at 95 BPM, the half-time would be 48 BPM with a double-time of 190 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ganesha Vandana | Jaspal Moni | D♭ Major | 5 | 3B | 90 BPM | ||
| Bhaj Hare Krishna Jap Hare Krishna | Gufi Paintal | D♭ Major | 3 | 3B | 168 BPM | ||
| Sharanu Sharanu Hey | S. P. Balasubrahmanyam | E♭ Major | 7 | 5B | 149 BPM | ||
| Ravan Rachit Shiv Tandav Stotram | Somesh Narvekar | A Major | 6 | 11B | 75 BPM | ||
| Nirop Gheto Ata Amha Adnya Asavi | Sharmishtha Bhatkar | B♭ Major | 2 | 6B | 78 BPM | ||
| Maay Mauli | Ajit Kadkade | A Major | 4 | 11B | 153 BPM | ||
| Evening Aarti - Sukhkarta Dukhharta | Chorus | D♭ Major | 5 | 3B | 202 BPM | ||
| Yaa Devi | Smitha | F Major | 4 | 7B | 125 BPM | ||
| Shri Tulja Bhavani Stotra | Mayuri Kudalkar | C Major | 2 | 8B | 106 BPM | ||
| Pranamya Shirasa Devam | S. P. Balasubrahmanyam | B Major | 2 | 1B | 95 BPM | ||
| Gananayakaya | Sudharshan Ajay, Kalyani Gowri Shankar | F Minor | 7 | 4A | 108 BPM | ||
| Pavamana Pavamana | Anantha Kulkarni | F♯ Major | 4 | 2B | 96 BPM | ||
| Katyayani Mahamaye | Meditative Bharat | C Major | 3 | 8B | 104 BPM | ||
| Laxmi Ashtakam | Shalini Srivastava | C Major | 4 | 8B | 89 BPM | ||
| Ratri Sukta - an Ode to the Night | Ved Vrind | D♭ Major | 4 | 3B | 174 BPM | ||
| Raghupati Raghav | Baal Gopal, Hladini | A Major | 3 | 11B | 113 BPM | ||
| Hanuman Chalisa - Chant | Babeena Sharma | D♭ Minor | 3 | 12A | 98 BPM | ||
| Hayagriva Gayathri | S. P. Balasubrahmanyam | B Major | 3 | 1B | 81 BPM | ||
| Mahalakshmi Aarti Marathi | Sayali Mahadik | F Minor | 5 | 4A | 190 BPM | ||
| Shree Ganesh Atharvashirsha | Guruji Hemant Bhatawdekar | F♯ Major | 3 | 2B | 133 BPM | ||
| Aatma Rama | Priya, Subhiksha Rangarajan | A Major | 2 | 11B | 129 BPM | ||
| OM NAMOH BHAGVATE VASUDEVAYA | Nirmalya Roy | D♭ Major | 6 | 3B | 82 BPM | ||
| Shantakaram Bhujagashayanam by 108 Brahmins | Brahmins | G Major | 7 | 9B | 120 BPM | ||
| Shiva Suprabhatam | Vijayaa Shanker | D Major | 2 | 10B | 99 BPM | ||
| Ganapati Thalam | Dr. R. Thiagarajan | F Major | 7 | 7B | 145 BPM |