"What Really Happened" by Kurt Kuenne had its release date on December 5, 2016. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Preston Tylk (Original Motion Picture Score)". In this album, this song's track order is #13. What Really Happened is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With What Really Happened by Kurt Kuenne having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Who Was She? | Nico Muhly | G Minor | 1 | 6A | 95 BPM | ||
| Nice to Meet You Diary | Kostas Christides | G Major | 0 | 9B | 175 BPM | ||
| Lullabying | John Barry, English Chamber Orchestra | B♭ Major | 1 | 6B | 70 BPM | ||
| You Like Boats But Not The Ocean | George Fenton | F Major | 1 | 7B | 144 BPM | ||
| Last Week | Michael Torke, Siwoo Kim, East Coast Chamber Orchestra | G Major | 2 | 9B | 172 BPM | ||
| Cornelia and Eli | Federico Jusid | F Minor | 0 | 4A | 81 BPM | ||
| Brideshead Revisited: No. 12, The Lido | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | D Minor | 2 | 7A | 139 BPM | ||
| Wuthering Heights - Cathy's Theme - From "Wuthering Heights" | Alfred Newman, Hollywood Bowl Orchestra, John Mauceri | D♭ Major | 2 | 3B | 88 BPM | ||
| Pictures | Kurt Kuenne | C Major | 0 | 8B | 85 BPM | ||
| I Have No One Else to Ask | Nico Muhly | G Minor | 1 | 6A | 79 BPM | ||
| Flying | Isobel Waller-Bridge | A♭ Major | 1 | 4B | 85 BPM | ||
| The Ice Sculpture | George Fenton | A♭ Major | 2 | 4B | 137 BPM | ||
| One True Thing | Cliff Eidelman | A Major | 0 | 11B | 168 BPM | ||
| Crossing Mars | Harry Gregson-Williams | C Minor | 1 | 5A | 70 BPM | ||
| Saving Sarah Cain - Main Titles | Mark McKenzie | D Major | 2 | 10B | 165 BPM | ||
| Paradise Theme | Philippe Rombi | E♭ Minor | 1 | 2A | 94 BPM | ||
| Fantastic Journey | Richard Philip Birdsall | G Major | 2 | 9B | 58 BPM | ||
| Gabriel's Trumpet | Marcelo Zarvos | C Minor | 0 | 5A | 73 BPM | ||
| Baroque Dance Suite | Helena Semanov | B Minor | 0 | 10A | 116 BPM | ||
| Damaged | The Chamber Orchestra Of London | E Minor | 1 | 9A | 79 BPM | ||
| How Could You Lose Me? - End Title (From "The Firm") | Dave Grusin, Luigi Palombi | F Major | 2 | 7B | 135 BPM | ||
| Frances | John Barry | C Major | 0 | 8B | 83 BPM | ||
| Victoria (From "Validation") | Kurt Kuenne | B♭ Major | 1 | 6B | 107 BPM | ||
| Are You Hearing This / Charlie's Sweet Inner Nature | Rolfe Kent | C Major | 0 | 8B | 79 BPM | ||
| Love of My Life | Anne Dudley, The Chamber Orchestra Of London | B Major | 1 | 1B | 143 BPM |