Matthias Hoffmann's ' "To the Beach" was released on its scheduled release date, July 3, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Waterfalls by Matthias Hoffmann. The song's track number on the album is #2 out of 3 tracks. Based on our statistics, To the Beach's popularity is unknown right now. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
Since To the Beach by Matthias Hoffmann has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With To the Beach being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| St. Matthew Passion, BWV 244, Pt. 1: No. 22, Der Heiland fällt vor seinem Vater nieder | Johann Sebastian Bach, Matthias Hoffmann, Academia Jacobus Stainer, Johannes Stecher | B♭ Minor | 2 | 3A | 137 BPM | ||
| Petite messe solennelle: Credo | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov | B Major | 1 | 1B | 135 BPM | ||
| Come Back - Lucena, Danny DC & Lucio Remix | Nick & Danny Chatelain, Todor Ivanov, Matthias Hoffmann, Lucena, Danny DC | B Minor | 9 | 10A | 127 BPM | ||
| Tannhäuser, Act II: Gar viel und schön ward hier in dieser Halle | Richard Wagner, Thomas Quasthoff, Orchester der Deutschen Oper Berlin, Christian Thielemann, Chor der Deutschen Oper Berlin | E Minor | 2 | 9A | 72 BPM | ||
| Dies Bildnis ist bezaubernd schön | Fritz Wunderlich | E♭ Major | 1 | 5B | 131 BPM | ||
| Bellini: I puritani: "Sai com’arde in petto mio" (Elvira, Giorgio) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Schumann: Dichterliebe, Op. 48: 4. Wenn ich in deine Augen seh' | Robert Schumann, Jonas Kaufmann, Helmut Deutsch | A♭ Major | 0 | 4B | 130 BPM | ||
| Gounod: Faust, Act 2: "Vin ou bière, bière ou vin" - "Jeune adepte du tonneau" (Chœur, Wagner) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, Marc Barrard, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
| La traviata / Act 2: "Né rispondi d'un padre all'affetto?" - "No, non udrai rimproveri" | Giuseppe Verdi, Thomas Hampson, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | B♭ Major | 2 | 6B | 95 BPM | ||
| First Strike - Matthias Hoffmann Remix | Chriz Unknown, Matthias Hoffmann | G Major | 7 | 9B | 128 BPM | ||
| Got to Feel Now - Extended Mix | Matthias Hoffmann | C Minor | 9 | 5A | 126 BPM | ||
| Zwei Scenen für Singstimme und Orchester, Op. 199: No. 2, Die Hirtin | Joachim Raff, Therese Schleiden, Lena-Lisa Wüstendörfer, Marie-Claude Chappuis, Swiss Orchestra | G Major | 2 | 9B | 74 BPM | ||
| Petite messe solennelle, Credo: XI. Crucifixus | Gioachino Rossini, Krassimira Stoyanova, Philip Mayers, Philip Moll, Ryoko Morooka, Marcus Creed | A♭ Major | 1 | 4B | 131 BPM | ||
| Misatango, Misa a Buenos Aires: III. Gloria | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 3 | 5A | 82 BPM | ||
| Pueri, concinite | Johann Ritter von Herbeck, Daniel Behle, WDR Rundfunkchor Köln, WDR Sinfonieorchester Köln, Helmuth Froschauer | D Major | 3 | 10B | 130 BPM | ||
| Orchestervorspiel | Berliner Philharmoniker, Chor der Deutschen Oper Berlin | A Major | 2 | 11B | 119 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 2 "Ein Männlein steht im Walde" [Gretel, Hänsel] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 0 | 7B | 66 BPM | ||
| Aida, Atto I: "Se quel guerrier io fossi!...Celeste Aida" | Giuseppe Verdi, Jonas Kaufmann, Pier Giorgio Morandi | B♭ Major | 2 | 6B | 173 BPM | ||
| Il Barbiere di Siviglia: Finaletto II: Di sì felice innesto - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | B♭ Major | 2 | 6B | 95 BPM | ||
| Stabat Mater, FP 148: V. Quis est homo, qui non fleret | Francis Poulenc, Cappella Amsterdam, Estonian Philharmonic Chamber Choir, Estonian National Symphony Orchestra, Daniel Reuss | A Minor | 5 | 8A | 92 BPM | ||
| Dämmernd liegt der Sommerabend | Fanny Mendelssohn, Jerilyn Chou, Arnheiður Eiríksdóttir, Johannes Czernin, Matthias Hoffmann | F Minor | 2 | 4A | 113 BPM | ||
| Nabucco / Act 4: Immenso Jeovha | Giuseppe Verdi, Lucia Popp, Lucia Valentini Terrani, Plácido Domingo, Volker Horn, Piero Cappuccilli, Yevgeny Nesterenko, Kurt Rydl, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D Major | 2 | 10B | 175 BPM | ||
| Bizet: Petite suite from "Jeux d'enfants", Op. 22, WD 39: II. Berceuse "La poupée" | Georges Bizet, Seiji Ozawa, Orchestre National De France | B Major | 0 | 1B | 127 BPM | ||
| Winterreise, D911: Einsamkeit | Franz Schubert, Jonas Kaufmann, Helmut Deutsch | B Minor | 0 | 10A | 76 BPM | ||
| Mozart: Grabmusik, K. 42: II. Aria. "Felsen, spaltet euren Rachen" | Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Thomas Hampson, Concentus Musicus Wien | C Minor | 1 | 5A | 137 BPM |