Anonymous, Jonathan Taylor's ' "Poor Sally Sits a Weeping - Traditional" was released on its scheduled release date, November 21, 2018. With This song being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Jonathan Taylor's "Miniatures, Vol. 1" album is number 16 out of 17. On top of that, Spain appears to be the country where this track was created. In terms of popularity, Poor Sally Sits a Weeping - Traditional is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Poor Sally Sits a Weeping - Traditional by Anonymous, Jonathan Taylor to be Andante (at a walking pace) because the track has a tempo of 95 BPM, a half-time of 48BPM, and a double-time of 190 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chant setting: Ite missa est | Anonymous , Anonymous 4 | B♭ Minor | 0 | 3A | 99 BPM | ||
| Gregorian Chant for the Dead: Ritus communionis | Anonymous, Aurora Surgit, Alessio Randon | D Major | 0 | 10B | 178 BPM | ||
| Prayer to Jesus | Jordan Olson | B♭ Minor | 1 | 3A | 92 BPM | ||
| Gloria in Excelsis | Eikona, Choirs Of Annunciation Byzantine Catholic Church, Monastery Choir of St. John of San Francisco, Isauria | A♭ Minor | 2 | 1A | 102 BPM | ||
| Opening Psalm (Greek Chant, Harmonized by A. Lvov) | Ascention Church Choir (Maloe), Moscow, Saint Petersburg State University Student Choir | E Minor | 1 | 9A | 104 BPM | ||
| Venite Adoremus | Schola Gregoriana Del Coro F. Paer, Schola of the Hofburgkapelle, Vienna, The Monks of Pluscarden Abbey | A Minor | 1 | 8A | 71 BPM | ||
| Creator alme siderum | Richard Burchard, Ars Veritas, Schola Cantorum, Jeremy D. Jones, Jakob Patriksson | E♭ Major | 2 | 5B | 127 BPM | ||
| MISA IN TE DOMINE SPERAVI: Gloria | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Te Lucis Ante Terminum | Monges Beneditinos, The Benedictine Monks of Worth Abbey | E Minor | 0 | 9A | 126 BPM | ||
| Ordo Devotionis | Choir Of St. Abuscus, Chants of Eternity | F Major | 1 | 7B | 69 BPM | ||
| Today The Virgin Gives Birth to Him Who Is Above All Being | Trad. Old Russian, Chamber Choir, Lege Artis, Boris Abalyan | C Major | 2 | 8B | 98 BPM | ||
| Magne Pater Augustine | Francisco Guerrero, A5 Vocal Ensemble | B♭ Major | 2 | 6B | 95 BPM | ||
| Ad Matutinum: Lectio. Et satis est | Etienne de Liège, Psallentes, Hendrik Vanden Abeele | F Major | 3 | 7B | 137 BPM | ||
| Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
| Sancte Francisce Propera | Costanzo Porta, The Rose Ensemble, Jordan Sramek | A Major | 1 | 11B | 77 BPM | ||
| Tranquil Light | Roman Hurko | B Major | 1 | 1B | 124 BPM | ||
| Introit: Deus Israel | Bonaventure Choir | F Major | 0 | 7B | 81 BPM | ||
| Lord’s Prayer - N. Rimsky-Korsakov | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | F♯ Major | 0 | 2B | 69 BPM | ||
| Offertorium: Confortamini | Marek Klein | B Major | 0 | 1B | 97 BPM | ||
| Hymn "Te lucis ante terminum" | Anonymous, Anonymous 4 | B♭ Minor | 0 | 3A | 75 BPM | ||
| Subvenite sancti dei | The Male-Voice Choir of Sartène | F♯ Major | 4 | 2B | 130 BPM | ||
| Missa Iste confessor domini: Christe Ia | Pierre de la Rue, Musurgia Ensemble, João Francisco Távora | E♭ Minor | 1 | 2A | 72 BPM | ||
| Nunc avemus et laudemus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
| Silens Benedictionis | Monges Beneditinos, The Benedictine Monks of Worth Abbey, Gregorian Chant Schola of Saint Meinrad Archabbey | E Minor | 0 | 9A | 126 BPM | ||
| Cantus Officiorum: Responsorium: Tenebrae factae sunt | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luigi Benedetti | E♭ Major | 1 | 5B | 131 BPM |