"A King's Sadness" by William Ross had its release date on December 16, 2008. The duration of This song is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. A King's Sadness's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Tale Of Despereaux (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. A King's Sadness is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With A King's Sadness by William Ross having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Caught in the Waves | Trevor Kowalski | G Minor | 2 | 6A | 82 BPM | ||
| The Ruins | George Fenton | D Major | 0 | 10B | 66 BPM | ||
| Longing for Home | Christoffer Moe Ditlevsen | G Minor | 3 | 6A | 83 BPM | ||
| Kentucky State Championship 1963 | Carlos Rafael Rivera | A Minor | 2 | 8A | 79 BPM | ||
| The Burdens of Duty | Rob Lane | C Minor | 1 | 5A | 72 BPM | ||
| Time Passing II | Mark Isham | A Major | 1 | 11B | 82 BPM | ||
| The Day After Tomorrow | Harald Kloser | C Major | 2 | 8B | 110 BPM | ||
| Brideshead Revisited: No. 24, Always Summer | Adrian Johnston, Terry Davies, BBC Philharmonic Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Only The Beginning of The Adventure | Harry Gregson-Williams | A♭ Major | 2 | 4B | 83 BPM | ||
| Luck Dries Up | Mark Isham | A♭ Minor | 1 | 1A | 0 BPM | ||
| From Western Woods to Beaversdam | Harry Gregson-Williams | F Minor | 1 | 4A | 75 BPM | ||
| The Room of Hidden Things | Alexander Horowitz, Hogwarts Legacy | D Minor | 0 | 7A | 137 BPM | ||
| Cross tempo | Andrea Guerra | A♭ Major | 0 | 4B | 82 BPM | ||
| Vesper (From "Casino Royale" Soundtrack) | David Arnold | A Minor | 1 | 8A | 64 BPM | ||
| Love Theme | Guy Farley | D♭ Major | 0 | 3B | 116 BPM | ||
| Contemplation | chuck e. myers 'sea', Hogwarts Legacy | G Major | 3 | 9B | 132 BPM | ||
| Our Deepest Secrets | Johannes Bornlöf | D Major | 7 | 10B | 120 BPM | ||
| Sea Of Sand | Harald Kloser, Thomas Wander | D♭ Major | 4 | 3B | 82 BPM | ||
| Two Hearts | Atticus Ross, Leopold Ross, Nick Chuba | A♭ Minor | 1 | 1A | 173 BPM | ||
| Neptun | Niklas Wagner | E Minor | 0 | 9A | 146 BPM | ||
| Starlight | Anne Nikitin, Jessica Jones | G Major | 2 | 9B | 94 BPM | ||
| Evacuating London | Harry Gregson-Williams | E Minor | 2 | 9A | 152 BPM | ||
| Cave of Silence | Joey Newman | E♭ Major | 3 | 5B | 86 BPM | ||
| Gig Catches / Taking The Lead | William Ross | D Major | 4 | 10B | 132 BPM | ||
| Innocent Games | David Celeste | D♭ Minor | 1 | 12A | 145 BPM |