"He Was in There With Them" by Paul Leonard-Morgan had its release date on March 17, 2023. With This song being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 38 out of 42 in Boston Strangler (Original Score) by Paul Leonard-Morgan. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, He Was in There With Them's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of He Was in There With Them by Paul Leonard-Morgan is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Gehenna | Thomas Newman | A Major | 0 | 11B | 85 BPM | ||
| Flares | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM | ||
| What Happens in Helmand | Ian Arber, Dave Rowntree | D♭ Major | 1 | 3B | 115 BPM | ||
| Crimson Sky | Atticus Ross, Leopold Ross, Nick Chuba | A Minor | 5 | 8A | 110 BPM | ||
| The Bends | Marco Beltrami, Brandon Roberts | E♭ Minor | 3 | 2A | 87 BPM | ||
| Children of the Omnissiah | Guillaume David | A Major | 8 | 11B | 105 BPM | ||
| Denouement | Benjamin Wallfisch | D Minor | 2 | 7A | 93 BPM | ||
| Amaiera | Joseph Trapanese | E Minor | 3 | 9A | 83 BPM | ||
| Journey Sequence | Max Richter | B♭ Major | 1 | 6B | 92 BPM | ||
| Norah's Choice | Marco Beltrami, Brandon Roberts | A Minor | 2 | 8A | 105 BPM | ||
| Approaching the Shimmer | Ben Salisbury, Geoff Barrow | G Minor | 0 | 6A | 64 BPM | ||
| Stepping Stones | Ludvig Forssell | G Minor | 2 | 6A | 126 BPM | ||
| Amaya Corporation | Ben Salisbury | D Major | 1 | 10B | 75 BPM | ||
| Detroit City Ambient (Part 1) | Michael McCann | C Major | 1 | 8B | 90 BPM | ||
| RED ROOM BLUE ROOM | Ludwig Göransson | B Major | 2 | 1B | 65 BPM | ||
| The Illusive Man | Jack Wall | D Major | 4 | 10B | 112 BPM | ||
| Leaving The Silo | Atli Örvarsson | D♭ Major | 5 | 3B | 120 BPM | ||
| 1.1_3-oneor0.wma | Mac Quayle | C Minor | 2 | 5A | 152 BPM | ||
| Prologue | Ola Strandh | E Major | 4 | 12B | 128 BPM | ||
| Before and After Faith | Trent Reznor and Atticus Ross | G Major | 6 | 9B | 115 BPM | ||
| Feeling the Heights | Amine Bouhafa | F Minor | 2 | 4A | 84 BPM | ||
| Last Combat | Volker Bertelmann | G Minor | 2 | 6A | 85 BPM | ||
| It's All a Deep End | Paul Leonard-Morgan | A Major | 2 | 11B | 100 BPM | ||
| The Atlas Crew | Will Bates | F♯ Minor | 4 | 11A | 129 BPM | ||
| Legion of Dawn | Sarah Schachner | D Minor | 2 | 7A | 63 BPM |