"Messe de Barcelone (Barcelone-Bbc, ms. 971): Adoramus te, motet (Madrid-BN, ms. 1361)" by Anonymous Anonymous, Ensemble Gilles Binchois, Dominique Vellard had its release date on May 24, 2019. With This song being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Anonymous Anonymous, Ensemble Gilles Binchois, Dominique Vellard's "Messes de Barcelone et d'Apt" album is number 5 out of 17. On top of that, France appears to be the country where this track was created. Messe de Barcelone (Barcelone-Bbc, ms. 971): Adoramus te, motet (Madrid-BN, ms. 1361) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe de Barcelone (Barcelone-Bbc, ms. 971): Adoramus te, motet (Madrid-BN, ms. 1361) by Anonymous Anonymous, Ensemble Gilles Binchois, Dominique Vellard to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Peaceful Chant Spiritual Gregorian Chants Studying Gregorian | Chœur des Moines de l'Abbaye Saint-Pierre de Solesmes, Hubert Dopf S.J., Canonici Regolari Di Sant'Antimo | F Major | 2 | 7B | 137 BPM | ||
| Missa "Orbis factor": Kyrie | Fernão Gomes Correia, Capella Duriensis, Jonathan Ayerst | A♭ Minor | 2 | 1A | 83 BPM | ||
| A Little Childe There Is Ibore | Jane M. Joseph, Blossom Street, Anna Lapwood, Hilary Campbell | C Minor | 1 | 5A | 71 BPM | ||
| Ely of July | Douglas Balliett, Reginald Mobley, Brandon J. Acker | A♭ Major | 0 | 4B | 66 BPM | ||
| The Mass of Tournai: Gloria | Anonymous Anonymous, Tonus Peregrinus, Antony Pitts | A Minor | 3 | 8A | 73 BPM | ||
| Messe de Barcelone (Barcelone-Bbc, ms. 971): Adoramus te, motet (Madrid-BN, ms. 1361) | Anonymous Anonymous, Ensemble Gilles Binchois, Dominique Vellard | A Minor | 1 | 8A | 73 BPM | ||
| Nunc avemus et laudemus | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | G Minor | 2 | 6A | 80 BPM | ||
| Crying sun | Quirine van Hoek | A Major | 1 | 11B | 70 BPM | ||
| Sanctuarium Pacis | Dom Le Feuvre, Enrico De Capitani, Cantori Gregoriani | D Major | 1 | 10B | 79 BPM | ||
| Lord, Now Lettest Thou Thy Servant Depart | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 69 BPM | ||
| Romance | Anonymous, Anonymous Anonymous, Chris Stevens Guitar | E Major | 2 | 12B | 133 BPM | ||
| Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
| For Dappled Things | John Casken, Joyful Company Of Singers, Peter Broadbent | A Major | 1 | 11B | 70 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Body of the Lord | Komitas, Armen Badalyan, Latvian Radio Choir, Sigvards Kļava | G Major | 2 | 9B | 84 BPM | ||
| Your Temple, O God | Yuri Alexandrovich Falik, Ieva Ezeriete, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
| S'io sedo a l'ombra, Amor | Marchetto Cara, Carolyn Sampson, Robert Meunier | C Major | 0 | 8B | 50 BPM | ||
| Hashir Hashem Luchem | Jay Anthony Gach, Kühn Choir Of Prague, Jakub Pikla | G Major | 1 | 9B | 132 BPM | ||
| A solis ortus cardine | Voci di Sorelle | E♭ Major | 1 | 5B | 87 BPM | ||
| Lamentatio: Lamentatio Jeremia Prophetae | Popular, Coro de Monjas Benedictinas del Real Monasterio de San Pelayo de Oviedo | D♭ Minor | 0 | 12A | 105 BPM | ||
| Let Our Mouths Be Filled - Novgorod Melody, Tone 2 | St. Tikhon's Seminary & Monastery Choirs, Benedict Sheehan | F♯ Major | 1 | 2B | 80 BPM | ||
| Fuggi fuggi fuggi / La Rotta | Giuseppino del Biado / Anonymous, Giuseppino del Biado, Anonymous Anonymous, Turmalin Duo | A Major | 1 | 11B | 70 BPM | ||
| The Lord's prayer | Ars Poliphonica | A Major | 1 | 11B | 70 BPM | ||
| The Lord of Salisbury his Pavin | Orlando Gibbons, Harmonia Recorder Ensemble | D Minor | 0 | 7A | 66 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 4, La Merula | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Psalm 112 | Peter Stevens, Simon Johnson, Westminster Cathedral Choir | A Minor | 2 | 8A | 79 BPM |