Giovanni Paolo Foscarini, Rolf Lislevand's 'Li cinque libri della chitarra alla spagnola: Tasteggiata' had a release date set for August 29, 2025. The duration of This song is about 3 minutes long, at 3:21. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Rolf Lislevand, Giovanni Girolamo Kapsberger's "Libro primo" album is number 2 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Li cinque libri della chitarra alla spagnola: Tasteggiata's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Li cinque libri della chitarra alla spagnola: Tasteggiata by Giovanni Paolo Foscarini, Rolf Lislevand to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
| Entrée de Luths | Robert Ballard, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 96 BPM | ||
| Les castagnettes: Canaries | Jacques Gallot, Simone Vallerotonda | B♭ Major | 1 | 6B | 148 BPM | ||
| Pieces for 2 Lutes: III. Corant | William Lawes, Jacob Heringman, David Miller | A Major | 0 | 11B | 90 BPM | ||
| Passacaille in D Minor | Robert de Visée, Rolf Lislevand | D♭ Minor | 1 | 12A | 92 BPM | ||
| Facultad organica: No. 15, Tiento de quarto tono, FO 15 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 87 BPM | ||
| Couperin, L: Pavanne, G. 120 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 0 | 5B | 67 BPM | ||
| Fuga in A Major | Adam Falckenhagen, Carlos Torres | A♭ Major | 3 | 4B | 85 BPM | ||
| Toccata VI | Alessandro Piccinini, Ulrik Gaston Larsen | D Minor | 1 | 7A | 83 BPM | ||
| Pass'emezzo antico: Recercada primera | Diego Ortiz, Mika Suihkonen, Ballo della Battalia | A♭ Minor | 2 | 1A | 76 BPM | ||
| Violin Sonata No. 5 in E Minor, C. 142: I. [...] | Heinrich Ignaz Franz von Biber, Rachel Podger, Brecon Baroque | E♭ Minor | 0 | 2A | 84 BPM | ||
| Lachrimae Pavin | Hopkinson Smith, John Dowland | G Minor | 1 | 6A | 115 BPM | ||
| Lute Suite in A Minor: II. Allemande | Jan Antonín Losy, Jakob Lindberg | G Minor | 0 | 6A | 111 BPM | ||
| Españoletas | Gaspar Sanz, Antonio de Santa Cruz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | D Minor | 1 | 7A | 91 BPM | ||
| Corrente | Francesco Corbetta, Pierre Pitzl, Private Musicke | D♭ Major | 0 | 3B | 87 BPM | ||
| Edward Said’s Reverie | Anouar Brahem, Anja Lechner, Django Bates | G Major | 0 | 9B | 74 BPM | ||
| Sinfonia viggesima terza a due viole: I. Grave - Allegro - Corrente | Rocco Greco, I Mastricelli | E Major | 1 | 12B | 107 BPM | ||
| A Ground in D Minor for Recorder | Godfrey Finger, La Rêveuse, Florence Bolton, Benjamin Perrot, Sébastien Marq | D Major | 0 | 10B | 102 BPM | ||
| Capricci a due stromenti cioè tiorba e tiorbino: Arpeggiata a mio modo | Bellerofonte Castaldi, Albane Imbs, Rolf Lislevand | A♭ Minor | 3 | 1A | 153 BPM | ||
| Composizioni per Organo e Cembalo: Capriccio cromatico | Tarquinio Merula, Bernard Foccroulle | E♭ Minor | 1 | 2A | 90 BPM | ||
| Manuscrit de Tournus, Suite in D Minor: Chaconne | Monsieur de Sainte-Colombe, Lucile Boulanger | D♭ Minor | 1 | 12A | 133 BPM | ||
| Canzoni overo sonate concertate, Op. 12: No. 4, La Treccha | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Suite in A Minor: I. Prélude | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 47 BPM | ||
| Viola da Gamba Suite in D Major: III. Vivace | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 142 BPM | ||
| Madrigals, Book 9: Si dolce è il tormento (Perf. on Sheng, Viola & Double Bass) | Claudio Monteverdi, Wu Wei, Martin Stegner, Janne Saksala | D Minor | 0 | 7A | 81 BPM |