Diego Ortiz, Rolf Lislevand's 'Trattado de Glosas: Recercada sesta' had a release date set for August 29, 2025. With This song being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Rolf Lislevand, Giovanni Girolamo Kapsberger's "Libro primo" album is number 8 out of 14. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Trattado de Glosas: Recercada sesta's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Trattado de Glosas: Recercada sesta by Diego Ortiz, Rolf Lislevand to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Tasteggiata detta la Feretti (Arrangement) | Giovanni Paolo Foscarini, Rolf Lislevand, Concerto Stella Matutina | E Minor | 1 | 9A | 77 BPM | ||
| Couperin, L: Fantaisie de Violes par Mr. Couperin | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Mathias Ferré, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 62 BPM | ||
| Suite for 2 Lutes in Bb (Baron) - Allemande | Edward Martin and Paul Berget | A Major | 1 | 11B | 95 BPM | ||
| Pieces in A Minor: I. Allemande | Jean Mercure, Anders Ericson | D♭ Major | 0 | 3B | 87 BPM | ||
| Intonazione cromatica del quarto tono | Tarquinio Merula, Bernard Foccroulle | F♯ Major | 1 | 2B | 54 BPM | ||
| [Suite en la majeur]: I. Prélude (No. 17) | Marin Marais, François Joubert-Caillet, L'Achéron | A♭ Major | 0 | 4B | 112 BPM | ||
| Lusinghevole Passeggio | Bellerofonte Castaldi, Albane Imbs | F♯ Major | 2 | 2B | 111 BPM | ||
| Ground | John Eccles, Brandon J. Acker, Douglas Balliett | F♯ Minor | 0 | 11A | 80 BPM | ||
| Tombeau pour Marais le cadet - Pièces de viole, livre V | Marc de la Linde, Jeremy Nastasi, Marin Marais | F♯ Minor | 0 | 11A | 102 BPM | ||
| Recercada segunda sobre Douce memoire | Diego Ortiz, Franziska Konig, Joachim Gassmann | D Minor | 2 | 7A | 100 BPM | ||
| Viola da Gamba Suite in D Major: IV. Aria con variazioni | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 87 BPM | ||
| A miei pianti al fine un dì, F7.32 | Girolamo Frescobaldi, Clematis, Leonardo García-Alarcón | G Major | 1 | 9B | 130 BPM | ||
| Violin Sonata in F Major, Op. 5 No. 4: II. Allegro (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
| Libro primo d'intavolatura di chitarone: Toccata seconda arpeggiata | Giovanni Girolamo Kapsberger, Rolf Lislevand | A Major | 2 | 11B | 135 BPM | ||
| Fantasia, VdGS No. 4 | Thomas Brewer, Ricercar Consort, Philippe Pierlot | B Minor | 1 | 10A | 75 BPM | ||
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
| Mystery Sonata No. 3 "The Nativity": III. Adagio | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen-Pilch, Battalia | B♭ Minor | 0 | 3A | 80 BPM | ||
| Manuscrit de Cracovie, Suite in D Minor: Prélude du Sieur Dubuisson | Nicolas Hotman, Lucile Boulanger | D♭ Major | 0 | 3B | 78 BPM | ||
| Folias | Gaspar Sanz, Rolf Lislevand, Eduardo Egüez, Beatrice Pornon, Adela Gonzalez-Campa | C Major | 1 | 8B | 105 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Ground in D Major | Christopher Simpson, Mika Suihkonen, Ballo della Battalia | A Major | 1 | 11B | 113 BPM | ||
| Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): I. Preludio (Adagio) | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 2 | 3B | 130 BPM | ||
| Facultad organica: No. 18, Quarto tiento de quarto tono, FO 18 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 119 BPM | ||
| Sonate in A Minor: I. Grave | Élisabeth Jacquet de La Guerre, Sophie de Bardonnèche, Lucile Boulanger, Justin Taylor | B♭ Minor | 1 | 3A | 76 BPM | ||
| Suite in G Major: I. Preludio | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | F♯ Major | 1 | 2B | 92 BPM |