Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker's ' "Non più d’amore – Se ben rose" was released on its scheduled release date, November 20, 2013. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Non più d’amore – Se ben rose's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 23 in Falconieri: Dolci Sospiri by Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker. In terms of popularity, Non più d’amore – Se ben rose is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Non più d’amore – Se ben rose by Andrea Falconieri, United Continuo Ensemble, Jan Van Elsacker is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Circe, Z. 575: Magicians' Dance | Henry Purcell, Giles Tomkins, Brian Duyn, Peter Mahon, Neil Aronoff, Nicole Bower, Roz McArthur, Aradia Ensemble, Kevin Mallon | A Major | 0 | 11B | 113 BPM | ||
| Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): III. Adagio | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Minor | 1 | 12A | 110 BPM | ||
| Il primo libro di Canzone, Sinfonie, Fantasie, Capricci, Brandi, Correnti, Gagliarde, Alemanne, Volte: La suave melodia | Andrea Falconieri, Nicolas Achten | G Major | 2 | 9B | 96 BPM | ||
| Sopra l'anticho canto de La Spagna | Paolo Pandolfo, Andrea de Carlo, Thomas Boysen, Guido Morini, Marie Gelis, Alvaro Garrido | A Minor | 1 | 8A | 86 BPM | ||
| Ciaccona for 2 Treble Instruments & Continuo, Op. 12 No. 20 | Tarquinio Merula, Leila Schayegh, La Centifolia | B Major | 2 | 1B | 80 BPM | ||
| Variations on La Folia | Nicola Matteis, Théotime Langlois de Swarte, Thomas Dunford | B Major | 1 | 1B | 131 BPM | ||
| Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | G Minor | 0 | 6A | 171 BPM | ||
| Canzona seconda a canto solo "detta la Bernardinia" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 2 | 8A | 82 BPM | ||
| Concerto in G Minor - Oboe, Strings & B.C., Seibel 237: Allegro (2) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | C Major | 1 | 8B | 89 BPM | ||
| Suite in D Minor: VII. La poste | Ennemond Gaultier, Hopkinson Smith | E♭ Major | 2 | 5B | 127 BPM | ||
| Sonata "Follia" Op. 5, No. 12: Adagio | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 82 BPM | ||
| Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
| Suite in G Major: V. Musette de Monsieur Marais | Marin Marais, Les Musiciens De Saint-Julien, François Lazarevitch | F Minor | 2 | 4A | 133 BPM | ||
| J’avois juré l’autre jour / Acis et Galatée, Prologue: Rigaudon / Suitte du Rigaudon / Double du Rigaudon fait par Mr Couprain | Bertrand de Bacilly, Jean-Baptiste Lully, Les Musiciens De Saint-Julien, François Lazarevitch | B♭ Major | 2 | 6B | 113 BPM | ||
| M. Buctons his Galiard (Susanna Galliard) from Lachrimae, or Seaven Teares | John Dowland, Fretwork | F Minor | 0 | 4A | 101 BPM | ||
| Folias Gallegas | Santiago De Murcia, Jordi Savall, Hespèrion XXI | D Major | 1 | 10B | 147 BPM | ||
| Concert XLVIIIe siècle "Le Raporté": Chaconne raportée à deux violes esgales | Monsieur de Sainte-Colombe, Sophie Watillon, Friederike Heumann | F♯ Minor | 0 | 11A | 157 BPM | ||
| Tarantela por primer tono | Juan de Araujo, Ensemble Villancico, Peter Pontvik | F♯ Major | 2 | 2B | 72 BPM | ||
| Suite No. 2 in D Major: II. Allemande | Charles Dieupart, Michael Schneider, Yasunori Imamura, Rainer Zipperling, Sabine Bauer | D♭ Major | 0 | 3B | 104 BPM | ||
| Recercada quarta la Gamba | Diego Ortiz, Mika Suihkonen | D♭ Minor | 2 | 12A | 93 BPM | ||
| Sonata in A-Moll, BuxWV 272: Sonata in A-Moll, BuxWV 272: I. [Allegro] | Dietrich Buxtehude, La Rêveuse, Sébastien Wonner, Benjamin Perrot, Florence Bolton | A♭ Minor | 2 | 1A | 89 BPM | ||
| Suite No. 2 in D Minor: II. Gagliarda à 5 | Johann Hermann Schein, Lautten Compagney, Wolfgang Katschner | C Major | 3 | 8B | 70 BPM | ||
| Balletto (Arr. for Harp and Baroque Guitar) - From "Vatican, Biblioteca Apostolica, MSS Chigi Q. IV.28, ff. 44-45v" | Girolamo Frescobaldi, Eduardo Egüez, Giovanna Pessi | B Major | 1 | 1B | 120 BPM | ||
| Folias echa para mi Señora Doña Tarolilla de Carallenos | Andrea Falconieri, Musica Alchemica, Lina Tur Bonet | B Major | 4 | 1B | 175 BPM | ||
| Le bourgeois gentilhomme: Chaconne | Jean-Baptiste Lully, Emanuela Galli, Yetzabel Arias Fernandez, La Risonanza, Fabio Bonizzoni | N/A | N/A | N/A | 0 BPM |