"What Do We See When We Leave This Place?" by Like Moths To Flames had its release date on May 10, 2024. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "The Cycles Of Trying To Cope". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Australia. In terms of popularity, What Do We See When We Leave This Place? is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With What Do We See When We Leave This Place? by Like Moths To Flames having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| You'll Burn | Like Moths To Flames | E♭ Minor | 10 | 2A | 150 BPM | ||
| Aloy | Gravemind | D Major | 10 | 10B | 195 BPM | ||
| Break | Traitors | D♭ Minor | 10 | 12A | 155 BPM | ||
| Fighting Fire With Fire | Like Moths To Flames | F♯ Major | 10 | 2B | 120 BPM | ||
| PULSE | LEVELS | G Minor | 9 | 6A | 95 BPM | ||
| Hymn Of Decay | Great American Ghost | D♭ Major | 8 | 3B | 130 BPM | ||
| Oblivion | Void Of Vision | B♭ Major | 9 | 6B | 87 BPM | ||
| Clockwork Enemy | Thousand Below | E♭ Minor | 9 | 2A | 145 BPM | ||
| A Prayer to the Holy Death | Darkest Hour | F Minor | 10 | 4A | 121 BPM | ||
| Through The Threshold, Beyond The Bend | Bloom | D Minor | 10 | 7A | 185 BPM | ||
| Nothing Left To Lose But The Chains | Half Me | B Minor | 9 | 10A | 150 BPM | ||
| Memoria | Inertia | E Minor | 8 | 9A | 96 BPM | ||
| Move to Trash | Resolve | B♭ Major | 9 | 6B | 135 BPM | ||
| Unreasonable Doubt | 156/Silence | B Minor | 10 | 10A | 93 BPM | ||
| Pretend | The Plot In You | C Minor | 9 | 5A | 148 BPM | ||
| Landslide | Kingdom Of Giants | D Minor | 9 | 7A | 156 BPM | ||
| Hyperreal Death Scene | Dealer | D♭ Major | 10 | 3B | 130 BPM | ||
| Burden | As I Lay Dying | F Minor | 10 | 4A | 100 BPM | ||
| The Temple | Fit For A King | G Major | 9 | 9B | 156 BPM | ||
| Product Placement | 156/Silence | C Major | 9 | 8B | 125 BPM | ||
| Burn in Water, Drown in Flame | Like Moths To Flames | F♯ Major | 10 | 2B | 133 BPM | ||
| Sleepless | What Lies Below | E♭ Major | 9 | 5B | 160 BPM | ||
| Pale Iris | ERRA | B♭ Major | 10 | 6B | 127 BPM | ||
| Magnetic Roses | Foreign Hands | C Major | 9 | 8B | 160 BPM | ||
| Shallow Graves | Oceans Ate Alaska | B Minor | 9 | 10A | 126 BPM |