"Francesca da Rimini, Act I: Madonna Francesca! (Live)" by Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Coro La Scala di Milano, Gianandrea Gavazzeni had its release date on October 7, 2014. The duration of This song is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Francesca da Rimini, Act I: Madonna Francesca! (Live)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Zandonai: Francesca da Rimini (Live) by Riccardo Zandonai, Magda Olivero, Mario del Monaco, Giampiero Malaspina, Piero de Palma, Orchestra Del Teatro Alla Scala, Milano, Coro La Scala di Milano, Gianandrea Gavazzeni, Enrico Campi, Gabriella Carturan, Athos Cesarini, Angelo Mercuriali, Giuseppe Morresi, Pinuccia Perotti, Anna Maria Rota. The song's track number on the album is #9 out of 39 tracks. Based on our data, United States was the country where this track was produced or recorded. In terms of popularity, Francesca da Rimini, Act I: Madonna Francesca! (Live) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Francesca da Rimini, Act I: Madonna Francesca! (Live) by Riccardo Zandonai, Orchestra Del Teatro Alla Scala, Milano, Magda Olivero, Coro La Scala di Milano, Gianandrea Gavazzeni has a tempo of 102 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Francesca da Rimini, Act I: Madonna Francesca! (Live) being at 102 BPM, the half-time would be 51 BPM with a double-time of 204 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Cavalleria rusticana: Pt. I: Dite, mamma Lucia (Santuzza, Lucia) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E Minor | 1 | 9A | 81 BPM | ||
| Rossini: Petite messe solennelle: XII. Et vitam ventur saeculi | Gioachino Rossini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Daniele Rossi, Orchestra dell'Accademia Nazionale di Santa Cecilia | D♭ Major | 4 | 3B | 93 BPM | ||
| La Giaconda, Act 2, The Rosary: Sailors' Song "Ho! He! Ho! He!" (Sailors, Boys, Barnaba, Pilot) - "Recitative and Barcarolle "Pescator, affonda l'esca" [Barnaba, Pilot, Sailors, Boys] | Amilcare Ponchielli, Angelo Nardinocchi, Massimiliano Travagliati, Coro di Voci Bianche del Teatro “Giuseppe Verdi” di Salerno, Silvana Noschese, Coro del Teatro dell'Opera di Salerno, Luigi Petrozziello, Orchestra Filarmonica Salernitana “Giuseppe Verdi”, Yishai Steckler | F Major | 2 | 7B | 99 BPM | ||
| Francesca da Rimini, Act I: Francesca, dove andrai? (Live) | Riccardo Zandonai, Orchestra del Teatro Lirico Giuseppe Verdi di Trieste, Anna Gasparini, Leyla Gencer, Franco Capuana | G Minor | 0 | 6A | 139 BPM | ||
| Humperdinck : Hänsel und Gretel : Act 1 "Doch halt, wo bleiben die Kinder?" [Father, Stepmother] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 133 BPM | ||
| Francesca da Rimini, Op. 4, Act IV, Scene Tableau I: Perchè tanto sei strano? (Francesca, Malatestino, La Voce del Prigioniero) | Riccardo Zandonai, Wiener Symphoniker, Fabio Luisi, Elena Filipova, Kenneth Riegel, Alexander Kravets | A♭ Major | 2 | 4B | 95 BPM | ||
| Don Pasquale: Tornami a dir che m'ami | Gaetano Donizetti, Erin Morley, Lawrence Brownlee, Munich Radio Orchestra, Ivan Repusic | A Major | 1 | 11B | 82 BPM | ||
| Cavalleria rusticana: Tu qui, Santuzza? – Fior la giaggolo | Pietro Mascagni, Fiorenza Cossotto, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D♭ Major | 1 | 3B | 164 BPM | ||
| Francesca da Rimini, Op. 4, Act III: Nemica ebbi la luce | Riccardo Zandonai, Martin Mühle, Christina Vasileva, Philharmonisches Orchester Freiburg, Fabrice Bollon | D Minor | 2 | 7A | 88 BPM | ||
| Puccini : Manon Lescaut : Act 1 "In quelle trine morbide" [Manon] | Giacomo Puccini, Karita Mattila, Yutaka Sado, London Philharmonic Orchestra | F♯ Major | 1 | 2B | 89 BPM | ||
| Il tabarro, SC 85: O Luigi! Luigi! ... Dimmi, perché gli hai chiesto | Giacomo Puccini, Jonathan Tetelman, Vida Miknevičiūtė, Önay Köse, PKF – Prague Philharmonia, Carlo Rizzi | F♯ Minor | 2 | 11A | 83 BPM | ||
| Non piangere...non piangere... | Riccardo Zandonai, Gianandrea Gavazzeni | D Minor | 2 | 7A | 95 BPM | ||
| Simon Boccanegra, Prologue: Suona ogni labbro il mio nome | Giuseppe Verdi, Piero Cappuccilli, Nicolai Ghiaurov, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | D Major | 4 | 10B | 108 BPM | ||
| Il Tabarro, Act I: "O Luigi! Luigi!" | Giacomo Puccini, Jonas Kaufmann, Asmik Grigorian, Asher Fisch, Orchestra del Teatro Comunale di Bologna | A Major | 2 | 11B | 84 BPM | ||
| Puccini: Tosca, Act 1: "Un tal baccano in chiesa!" (Scarpia, Spoletta, Sacristan) | Giacomo Puccini, Tito Gobbi, Angelo Mercuriali, Melchiorre Luise, Orchestra Del Teatro Alla Scala, Milano, Victor de Sabata | C Major | 2 | 8B | 111 BPM | ||
| Penella: Don Gil de Alcalá: "Bendita cruz" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | D Major | 1 | 10B | 81 BPM | ||
| La traviata / Act 2: "Imponete" "Non amarlo ditegli" | Giuseppe Verdi, Cheryl Studer, Juan Pons, Metropolitan Opera Orchestra, James Levine | B♭ Major | 1 | 6B | 77 BPM | ||
| Bellini: I puritani: "Cavalier! – Se t’è d’uopo di consiglio" (Enrichetta, Arturo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Tosca, Act I: Un tal baccano in chiesa! Bel rispetto! | Giacomo Puccini, Matteo Macchioni, Ludovic Tezier, Davide Giangregorio, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Non ti scordar di me (Orch. G. Chiaramello) | Ernesto de Curtis, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | F Major | 2 | 7B | 85 BPM | ||
| Madama Butterfly / Act 2: Tu, Suzuki, che sei tanto biona | Giacomo Puccini, Mirella Freni, Christa Ludwig, Robert Kerns, Elke Schary, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 0 | 3B | 64 BPM | ||
| Macbeth / Act II: Va', spirto d'abisso! | Giuseppe Verdi, Shirley Verrett, Stefania Malagu, Piero Cappuccilli, Plácido Domingo, Alfredo Mariotti, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | E Major | 2 | 12B | 127 BPM | ||
| Giménez & Vives: El húsar de la guardia: "Un pobre nido" | Lisette Oropesa, Óliver Díaz, Orquesta Sinfonica de Madrid | B♭ Major | 1 | 6B | 127 BPM | ||
| Simon Boccanegra: Prologo: L'altra magion vedete (Paolo, Pietro, Coro) | Giuseppe Verdi, Mattia Olivieri, Andrea Pellegrini, Coro del Teatro di San Carlo di Napoli, Michele Spotti, Orchestra del Teatro San Carlo di Napoli | C Major | 1 | 8B | 81 BPM | ||
| Bellini: I puritani: "Odi! Qual suon si dta?" (Elvira, Giorgio, Coro) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM |