Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss's 'Rosen aus dem Süden (Roses from the South), Op. 388 (RV 388)' had a release date set for August 14, 2015. The duration of This song is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. Rosen aus dem Süden (Roses from the South), Op. 388 (RV 388)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 25 Strauss Favorites, so we believe that "Rosen aus dem Süden (Roses from the South), Op. 388 (RV 388)" is a single. In terms of popularity, Rosen aus dem Süden (Roses from the South), Op. 388 (RV 388) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Rosen aus dem Süden (Roses from the South), Op. 388 (RV 388) by Johann Strauss II, Edouard Strauss Orchestra, Edouard Strauss is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| El bello Danubio azul, Op. 314 | Orquesta De Conciertos Vienesa, Alfred Scholz | D Major | 2 | 10B | 95 BPM | ||
| Vals del Emperador | Orquesta Concierto de Viena | C Major | 2 | 8B | 177 BPM | ||
| Giselle: Act II: Entree d'Hilarion, scene et fugue des Wilis - Grand pas de duex | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 1 | 9B | 122 BPM | ||
| Cavalleria rusticana: Intermezzo sinfonico | Pietro Mascagni, Staatskapelle Dresden, Silvio Varviso | F Major | 0 | 7B | 88 BPM | ||
| Carmen L'amour est un oiseau rebelle - Instrumental Version | Arthur Fiedler, Boston Pops Orchestra | D Major | 1 | 10B | 98 BPM | ||
| Los Patinadores | Orquesta de Concierto | D♭ Major | 2 | 3B | 83 BPM | ||
| Albion, Op. 102: Polka | Polish State Philharmonic Orchestra, Katowice, Johann Strauss II | F Major | 1 | 7B | 86 BPM | ||
| Cuentos de Los Bosques de Viena | Orquesta Concierto de Viena | C Major | 2 | 8B | 176 BPM | ||
| Pizzicato-Polka, Op. 449 | Johann Strauss II & Josef Strauss, Neeme Järvi, Estonian National Symphony Orchestra | C Major | 0 | 8B | 101 BPM | ||
| Walzer, Op. 307: Wiener Bonbons | Sinfonieorchester des Tschechischen Rundfunks, Otto Aebi | C Minor | 1 | 5A | 105 BPM | ||
| Vals de las Flores (De la Suite "El Cascanueces") | Gran Orquesta Vienesa | D Major | 2 | 10B | 92 BPM | ||
| Melody in F, Op.3, No.1 - Arr. G. Saborow | Anton Rubinstein, Irina Saizewa, Violin Ensemble of the Bolshoi Theatre, Moscow, Julij Rejentowitsch | F Major | 2 | 7B | 85 BPM | ||
| Swan lake Dance of the Little Swans | SC-Mirai | B Minor | 1 | 10A | 104 BPM | ||
| Fur die ganze Welt | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | G Major | 1 | 9B | 179 BPM | ||
| Dans les bois, Polka-mazurka, Op. 119 | Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter | D Major | 1 | 10B | 115 BPM | ||
| Rigoletto, Act II, Caro nome, Rigoletto, Act IV: La donna e mobile (Arr. For orchestra) | Giuseppe Verdi, Sofia Philharmonic Orchestra, Emil Tabakov | B♭ Major | 1 | 6B | 155 BPM | ||
| Egipetskiye nochi (Egyptian Nights), Op. 50: No. 10: Pas de deux (Tempo di valse) | Anton Arensky, Moscow Symphony Orchestra, Dmitry Yablonsky | C Minor | 0 | 5A | 82 BPM | ||
| Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
| Vienna Blood - Waltz Op. 354 | Johann Strauss II, Hallé, Bryden Thomson | C Major | 0 | 8B | 178 BPM | ||
| Light Cavalry | Franz von Suppé, Stefan Rachon Orchestra, Stefan Rachon | A Major | 3 | 11B | 130 BPM | ||
| La valse des noces (Arr. Samuel Pegg d'après Le Beau Danube bleu, Op. 314 de Johann Strauss II) | Johann Strauss II, Samuel Pegg, Julie Berthollet, Thomas Bowes, Vincent Forestier, Gavin Greenaway, Puy du Fou Orchestra | A Major | 3 | 11B | 100 BPM | ||
| Kleiner Anzeiger | Joseph Hellmesberger, Jr., Göttingen Symphony Orchestra, Christian Simonis | E♭ Major | 4 | 5B | 146 BPM | ||
| Méditation de Thaïs | Jules Massenet, Peter Mirring, Dresden State Opera Chorus, Members, Staatskapelle Dresden, Silvio Varviso | E Minor | 0 | 9A | 96 BPM | ||
| Frühlingsstimmenwalzer | Vienna Walzer Orchestra | C Minor | 1 | 5A | 104 BPM | ||
| Jockey-Polka (Schnell), Op. 278 | Josef Strauss, Slovak Radio Symphony Orchestra | F Major | 3 | 7B | 163 BPM |