Dixit Dominus, HWV 232: Tu es sacerdos by George Frideric Handel, The Scholars Baroque Ensemble Song Details

George Frideric Handel, The Scholars Baroque Ensemble's ' "Dixit Dominus, HWV 232: Tu es sacerdos" was released on its scheduled release date, November 5, 1999. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel's "Handel: Dixit Dominus / Salve Regina / Nisi Dominus" album is number 5 out of 18. On top of that, Hong Kong appears to be the country where this track was created. Dixit Dominus, HWV 232: Tu es sacerdos is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.

BPM and Tempo

We consider the tempo marking of Dixit Dominus, HWV 232: Tu es sacerdos by George Frideric Handel, The Scholars Baroque Ensemble to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Music Key

This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 5%
Loudness: -17.211 dB
Acousticness: 99%
Danceability: 32%
Energy: 27%
Instrumentalness: 0%
Liveness: 22%
Loudness: 71%
Speechiness: 4%
Valence: 71%

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