Tony Bennett, Count Basie Orchestra's ' "Chicago" was released on its scheduled release date, February 22, 2021. With This song being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Tony Bennett, Al Tornello, Count Basie Orchestra's "I've Grown Accustomed To Her Face" album is number 6 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Chicago's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Chicago by Tony Bennett, Count Basie Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I've Got You Under My Skin | Rosemary Clooney | A♭ Major | 2 | 4B | 136 BPM | ||
| I'm Old Fashioned | Sarah McKenzie | A Minor | 4 | 8A | 114 BPM | ||
| Join Me in a Dream | Rachael & Vilray | F Minor | 2 | 4A | 67 BPM | ||
| Stardust | Artie Shaw | F Major | 2 | 7B | 85 BPM | ||
| You Are There | Roberta Gambarini, Hank Jones | C Major | 1 | 8B | 73 BPM | ||
| Close Enough for Love | Tony Bennett | C Minor | 3 | 5A | 137 BPM | ||
| Time Alone | Eliane Elias | B♭ Major | 1 | 6B | 105 BPM | ||
| I Miss You So | Samara Joy | F Major | 0 | 7B | 79 BPM | ||
| A Kiss To Build A Dream On | Louis Armstrong | A Major | 1 | 11B | 168 BPM | ||
| Les yeux ouverts (dream a little dream of me) | Emilie-Claire Barlow | F Minor | 2 | 4A | 82 BPM | ||
| How Do You Keep The Music Playing?/My Funny Valentine | Frank Sinatra, Lorrie Morgan | B♭ Major | 2 | 6B | 75 BPM | ||
| All The Way | Lena Horne | B♭ Major | 3 | 6B | 138 BPM | ||
| Days of Wine and Roses | Billy Eckstine | A♭ Major | 2 | 4B | 86 BPM | ||
| Blue And Sentimental - 1947 Version | Nat King Cole Trio | A♭ Major | 0 | 4B | 130 BPM | ||
| Let's Do It (Let's Fall In Love) | Ella Fitzgerald, London Symphony Orchestra | F Major | 2 | 7B | 79 BPM | ||
| My Romance | Lara Louise | F♯ Major | 2 | 2B | 98 BPM | ||
| You Couldn't Be Cuter | Margaret Whiting | D♭ Major | 2 | 3B | 80 BPM | ||
| Loverboy | Susie Arioli | F Major | 3 | 7B | 118 BPM | ||
| The Best Is Yet To Come | Lorez Alexandria | F Major | 1 | 7B | 118 BPM | ||
| It's De-Lovely | Jeri Southern | B♭ Major | 1 | 6B | 74 BPM | ||
| When You Were Sweet Sixteen | Al Tornello | B Major | 0 | 1B | 91 BPM | ||
| C'est Si Bon | Eartha Kitt | F Minor | 4 | 4A | 75 BPM | ||
| Summer Streets | Manhattazz | F Major | 2 | 7B | 94 BPM | ||
| I Am Love | Frank Sinatra | B Major | 2 | 1B | 122 BPM | ||
| Tea For Two | Sarah McKenzie | D♭ Major | 5 | 3B | 105 BPM |