Jeri Southern's 'Where Walks My True Love?' had a release date set for July 28, 2013. The duration of This song is about 3 minutes long, at 3:00. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 112 in the song's album "The Warm Singing Style of Jeri Southern. The Complete Decca Years 1951-1957". In this album, this song's track order is #6. Where Walks My True Love? is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Where Walks My True Love? by Jeri Southern having a BPM of 60 with a half-time of 30 BPM and a double-time of 120 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Blue And Sentimental | Catherine Russell | A♭ Major | 7 | 4B | 90 BPM | ||
| Waiter, Make Mine Blues | Anita O'Day | A♭ Major | 1 | 4B | 81 BPM | ||
| Speak Softly To Me | Jeri Southern | D♭ Major | 1 | 3B | 90 BPM | ||
| They Didn't Believe Me | Ernestine Anderson | D♭ Major | 3 | 3B | 133 BPM | ||
| What's Right For You | Irene Kral | B♭ Minor | 4 | 3A | 63 BPM | ||
| I've Got You Under My Skin | Rosemary Clooney | A♭ Major | 2 | 4B | 136 BPM | ||
| Till There Was You - Remastered 1995 | Peggy Lee | C Major | 2 | 8B | 100 BPM | ||
| Did I Remember | Catherine Russell | A♭ Major | 3 | 4B | 121 BPM | ||
| Change Partners | Fred Astaire | F Major | 0 | 7B | 81 BPM | ||
| For You, For Me, For Evermore | Morgana King, Richard Hayman & His Orchestra | B♭ Major | 1 | 6B | 78 BPM | ||
| Let's Get Away from It All | Martha Tilton, Harry Babbitt | A Minor | 2 | 8A | 124 BPM | ||
| Knit One Purl Two | Glenn Miller | D Major | 1 | 10B | 70 BPM | ||
| Tenderly | Rosemary Clooney | B♭ Major | 2 | 6B | 86 BPM | ||
| Everything I Have Is Yours | Billy Eckstine | C Major | 2 | 8B | 104 BPM | ||
| That Old Feeling | Dorothy Dandridge | C Minor | 1 | 5A | 88 BPM | ||
| That Old Feeling | Kitty Kallen | B♭ Minor | 2 | 3A | 168 BPM | ||
| Let's Call The Whole Thing Off | Fred Astaire | F Minor | 2 | 4A | 110 BPM | ||
| I've Got It Bad And That Ain't Good | Johnny Hodges, Billy Strayhorn | B♭ Major | 1 | 6B | 86 BPM | ||
| Here's Love in Your Eyes | Lee Wiley | D♭ Major | 1 | 3B | 105 BPM | ||
| That Ole Devil Called Love | Jeri Southern | F Minor | 1 | 4A | 73 BPM | ||
| Everytime We Say Goodbye | Jeri Southern, Dave Barbour Trio | G Major | 1 | 9B | 138 BPM | ||
| You Couldn't Be Cuter | Margaret Whiting | D♭ Major | 2 | 3B | 80 BPM | ||
| If You Could See Me Now | Morgana King | A♭ Major | 1 | 4B | 170 BPM | ||
| My Kind Of Girl | Buddy Greco | F Major | 3 | 7B | 70 BPM | ||
| What Is There To Say? | Dorothy Dandridge | E♭ Major | 1 | 5B | 70 BPM |