"New York" by Borislav Slavov had its release date on June 7, 2011. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. New York's duration is considered a little bit shorter than the average duration of a typical track. The song is number 11 out of 17 in Crysis 2: Be the Weapon! (Original Videogame Soundtrack) by EA Games Soundtrack. Going off of the ISRC code of this track, we detected that the origin of this track is from Canada. New York is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of New York by Borislav Slavov is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Farewell and Into the Inevitable | Sam Hulick | C Major | 1 | 8B | 80 BPM | ||
| Mayhem In Monaco | John Debney | E Minor | 4 | 9A | 140 BPM | ||
| Blue Mountains - Edit Version | Adam Skorupa, Krzysztof Wierzynkiewicz | F♯ Major | 3 | 2B | 85 BPM | ||
| The Future of Mankind | Geoff Knorr | G Minor | 4 | 6A | 83 BPM | ||
| Heroes | Brian Tyler | D♭ Major | 5 | 3B | 120 BPM | ||
| Project Long Shadow | Scott R. Morgan | F Major | 8 | 7B | 154 BPM | ||
| Prelude To A Lost Cause - Orchestral Version | Mikael Karlsson | F Major | 3 | 7B | 88 BPM | ||
| Death From Above | Sascha Dikiciyan, Cris Velasco | G Major | 8 | 9B | 125 BPM | ||
| The Darkest of Days | Piotr Musiał | F Minor | 3 | 4A | 87 BPM | ||
| Zero Injuries Sustained | Ryan Amon | D♭ Major | 5 | 3B | 100 BPM | ||
| Rebuild, Renew | Inon Zur, Fallout | E♭ Major | 1 | 5B | 179 BPM | ||
| All That Is Good | Tyler Bates, Lisa Papineau | D Major | 10 | 10B | 143 BPM | ||
| The Moon Over Mount Gorgon | Piotr Musiał | D Minor | 3 | 7A | 90 BPM | ||
| For The Craftworld | Doyle W. Donehoo | C Major | 6 | 8B | 78 BPM | ||
| Theme from Defiance | Bear McCreary | D♭ Minor | 5 | 12A | 139 BPM | ||
| Run, Jump, Fight | Olivier Deriviere, London Contemporary Orchestra | C Minor | 7 | 5A | 128 BPM | ||
| Rescue Continues | Rupert Gregson-Williams | E Minor | 4 | 9A | 122 BPM | ||
| Escape from Chicago | Brian Reitzell | B♭ Major | 1 | 6B | 75 BPM | ||
| To Battle Brothers | Doyle W. Donehoo | F Minor | 6 | 4A | 63 BPM | ||
| Infiltration | Sascha Dikiciyan, Cris Velasco | A Major | 4 | 11B | 125 BPM | ||
| The Underworld | Johan Söderqvist, Patrik Andrén | D♭ Major | 3 | 3B | 87 BPM | ||
| Into the Storm | Piotr Musiał | G Minor | 5 | 6A | 75 BPM | ||
| I Want That Arm | Clinton Shorter | A♭ Major | 4 | 4B | 138 BPM | ||
| To Ilus | Clinton Shorter | D Minor | 4 | 7A | 133 BPM | ||
| Vasir Combat | Christopher Lennertz | D♭ Major | 10 | 3B | 160 BPM |