On February 1, 1997, the song "Flat Natural Born Good-Timin' Man" was released by Gary Stewart. The duration of This song is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Flat Natural Born Good-Timin' Man's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "The Essential Gary Stewart". In this album, this song's track order is #15. Based on our statistics, Flat Natural Born Good-Timin' Man's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Flat Natural Born Good-Timin' Man by Gary Stewart having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| I Ain't Living Long Like This | Gary Stewart | A Major | 8 | 11B | 153 BPM | ||
| Memories to Burn | Gene Watson | B♭ Major | 6 | 6B | 152 BPM | ||
| Here Comes The Heartache | Jason James | D Major | 7 | 10B | 132 BPM | ||
| Third Rate Romance | Sammy Kershaw | B♭ Major | 8 | 6B | 117 BPM | ||
| Tobacco Road | Dan Seals | G Major | 3 | 9B | 93 BPM | ||
| Redneck Mother | Ray Wylie Hubbard | G Major | 5 | 9B | 77 BPM | ||
| She Can't Say That Anymore | John Conlee | E Minor | 5 | 9A | 169 BPM | ||
| You Could've Heard a Heart Break | Johnny Lee | D Major | 4 | 10B | 116 BPM | ||
| Uneasy Rider | Charlie Daniels | C Major | 8 | 8B | 96 BPM | ||
| I Still Can't Believe You're Gone | Gary Stewart | G Major | 2 | 9B | 88 BPM | ||
| Before My Time | John Conlee | E Major | 4 | 12B | 94 BPM | ||
| Hillbilly Highway | Steve Earle | D♭ Major | 5 | 3B | 167 BPM | ||
| Friday Night Blues | John Conlee | C Major | 5 | 8B | 108 BPM | ||
| I've Been Drinking More | Jason James | G Major | 7 | 9B | 121 BPM | ||
| How Could I Love Her So Much | Johnny Rodriguez | D Major | 3 | 10B | 104 BPM | ||
| Her Thinkin' I'm Doin' Her Wrong | Dean Dillon | A Major | 3 | 11B | 117 BPM | ||
| Loving Blind | Clint Black | A Major | 4 | 11B | 81 BPM | ||
| Hillbilly Rock | Marty Stuart | F Minor | 6 | 4A | 141 BPM | ||
| Grandma's Roadhouse | Riley, Gary Stewart | C Major | 7 | 8B | 159 BPM | ||
| Why Lady Why | Gary Morris | B♭ Major | 5 | 6B | 136 BPM | ||
| I Just Can't Get Her Out Of My Mind | Johnny Rodriguez | F Major | 4 | 7B | 97 BPM | ||
| There Stands The Glass | David Ball | E Major | 5 | 12B | 108 BPM | ||
| Am I Gonna Have to Burn Atlanta Down | Ed Bruce | B Major | 6 | 1B | 88 BPM | ||
| You Been Cheatin' on Me Honey | Riley, Gary Stewart | D Major | 6 | 10B | 92 BPM | ||
| Don't Go To Strangers | T. Graham Brown | C Major | 4 | 8B | 97 BPM |