On 1979, the song "When We Meet Again" was released by Richard Stepp. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Richard Stepp's "Holiday In Hollywood" album is number 6 out of 9. On top of that, United States appears to be the country where this track was created. In terms of popularity, When We Meet Again is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of When We Meet Again by Richard Stepp to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When We Meet Again | Richard Stepp | E Major | 6 | 12B | 93 BPM | ||
| Driftin' | Alessi Brothers | E Major | 8 | 12B | 99 BPM | ||
| What Am I Supposed to Do | Dane Donohue | G Major | 5 | 9B | 113 BPM | ||
| Lost Because You Can't Be Found | Marc Jordan | F Major | 3 | 7B | 143 BPM | ||
| One More Time | Salty Miller | A Minor | 6 | 8A | 116 BPM | ||
| I Got to Know - 2023 Remaster | Starbuck | A Major | 6 | 11B | 108 BPM | ||
| Winners & Losers | Hamilton, Joe Frank & Reynolds | E Minor | 4 | 9A | 133 BPM | ||
| Safe & Sound | David Astri | C Major | 5 | 8B | 85 BPM | ||
| Don’t Let Your Life Pass You By | Richard Stepp | F Major | 4 | 7B | 100 BPM | ||
| Partners In Crime | Rupert Holmes | B♭ Major | 4 | 6B | 113 BPM | ||
| Satellite | Ace | F Major | 5 | 7B | 118 BPM | ||
| Bluestrain | The Beginning Of The End | D Minor | 4 | 7A | 113 BPM | ||
| Joanna | Alessi Brothers | C Major | 3 | 8B | 77 BPM | ||
| Never Felt Love Before | Faragher Brothers | D♭ Major | 4 | 3B | 126 BPM | ||
| Easy To Fall | Bob Welch | E Major | 5 | 12B | 121 BPM | ||
| Angola | Ambrosia, Tom Trefethen | E Major | 7 | 12B | 110 BPM | ||
| Gold Or Silver | Eric Relph | E Minor | 5 | 9A | 95 BPM | ||
| All There in Her Eyes | Fotomaker | A Major | 5 | 11B | 82 BPM | ||
| Love Is Running Through Me | Marti Caine | G Minor | 4 | 6A | 80 BPM | ||
| Make It with Me | Masaki Matsubara | F Minor | 5 | 4A | 124 BPM | ||
| It Takes Two to Tango (This Is for the Girls) | Todd Rundgren | D♭ Major | 6 | 3B | 127 BPM | ||
| We Got Tonight | Richard Stepp | G Major | 5 | 9B | 125 BPM | ||
| Enjoy It | Brian Protheroe | E Minor | 5 | 9A | 130 BPM | ||
| Turning to You | Charlie | F♯ Minor | 7 | 11A | 143 BPM | ||
| Marina Del Rey | Marc Jordan | E Major | 4 | 12B | 112 BPM |