On 1999, the song "Cherry 2000" was released by Benjamin Herman, Idris Muhammad, Larry Goldings, Jesse Van Ruller. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Benjamin Herman's "Get In" album is number 4 out of 11. In terms of popularity, Cherry 2000 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Cherry 2000 by Benjamin Herman, Idris Muhammad, Larry Goldings, Jesse Van Ruller to be Andante (at a walking pace) because the track has a tempo of 100 BPM, a half-time of 50BPM, and a double-time of 200 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Horizons | Jasmine Myra | E♭ Minor | 7 | 2A | 108 BPM | ||
| Sunday Kind Of Love | Freddy Cole | F Minor | 2 | 4A | 66 BPM | ||
| I Could Get Used to This (Bumpin') | Claire Martin, Jim Mullen | C Minor | 2 | 5A | 184 BPM | ||
| Throw It Away | Ayọ | B♭ Major | 3 | 6B | 112 BPM | ||
| Where Are You? | Joshua Redman, Gabrielle Cavassa | A Major | 2 | 11B | 74 BPM | ||
| Colour Yes - Special Edition | Matthew Halsall | A Minor | 3 | 8A | 127 BPM | ||
| Chocolate and Chili | Brenda Boykin | G Major | 3 | 9B | 110 BPM | ||
| I Can’t Make You Love Me | Joey Alexander | B♭ Major | 2 | 6B | 132 BPM | ||
| Singing Everyday (Bonus Track) - Special Edition | Matthew Halsall | D♭ Major | 1 | 3B | 110 BPM | ||
| Samba Em Prelùdio | Gilad Hekselman | B Minor | 1 | 10A | 110 BPM | ||
| All You Are | Karen Rosenberg | E♭ Major | 1 | 5B | 97 BPM | ||
| This One | Roos Jonker, Dean Tippet | A Minor | 5 | 8A | 150 BPM | ||
| Jazz Is | Jules Deelder, Benjamin Herman | A Major | 4 | 11B | 87 BPM | ||
| Swing Piece | Manu Katché | A Minor | 2 | 8A | 129 BPM | ||
| Traction avant | Benjamin Herman, The City of Prague Philharmonic Orchestra | G Major | 7 | 9B | 118 BPM | ||
| I nodi e il pettine | Tom Harrell | D Minor | 4 | 7A | 108 BPM | ||
| Spirits High | C-Mon & Kypski, Benjamin Herman | C Major | 4 | 8B | 85 BPM | ||
| Time to Say Goodbye | Airelle Besson, Nelson Veras | G Major | 1 | 9B | 82 BPM | ||
| Bye Bye Blackbird | Patricia Barber | B♭ Major | 1 | 6B | 113 BPM | ||
| Tea Short | Jam Republic | A Minor | 5 | 8A | 114 BPM | ||
| Black And Blue | The Gene Harris Quartet | A Minor | 2 | 8A | 139 BPM | ||
| Stay Now | Joel Lyssarides | A♭ Major | 0 | 4B | 87 BPM | ||
| 1ère gymnopédie | Enrico Pieranunzi, André Ceccarelli, Diego Imbert | D Major | 3 | 10B | 132 BPM | ||
| Midnight (night shop) | Love the System, Benjamin Herman | D♭ Major | 8 | 3B | 117 BPM | ||
| Old Cape Cod | Emma Smith | E♭ Major | 1 | 5B | 179 BPM |