- BPM
- 110
- Key
- B♭ Major
- Camelot
- 6B
Gabriel's Message (Arr. Clements) by Traditional, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith Song Details
Traditional, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith's ' "Gabriel's Message (Arr. Clements)" was released on its scheduled release date, November 3, 2023. With this song being around four minutes long, at 4:06, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 13 out of 15 in A Choral Christmas by VOCES8, George Frideric Handel, VOCES8 Foundation Choir, William J. Kirkpatrick, VOCES8 Foundation Orchestra, Bob Chilcott, Barnaby Smith, John Francis Wade, Taylor Scott Davis, Franz Xaver Gruber, Thomas Hewitt Jones, Leroy Anderson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Gabriel's Message (Arr. Clements) is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
BPM and Tempo
The tempo marking of Gabriel's Message (Arr. Clements) by Traditional, VOCES8, VOCES8 Foundation Choir, VOCES8 Foundation Orchestra, Barnaby Smith is Moderato (at a moderate speed), since this song has a tempo of 110 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
Music Key
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -15.125 dB
- Acousticness
- 42%
- Danceability
- 53%
- Energy
- 40%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 75%
- Speechiness
- 3%
- Valence
- 75%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bethlehem Down in D Minor | Peter Warlock, Bruce Blunt, The Sixteen / Harry Christophers, Harry Christophers | D Minor | 0 | 7A | 142 BPM | |
 | We Three Kings | Millennial Choirs & Orchestras | E Minor | 1 | 9A | 114 BPM | |
 | Good King Wenceslas | Bob Chilcott, Belfast Cathedral Choir, Jack Wilson, Matthew Owens | A♭ Major | 1 | 4B | 77 BPM | |
 | 2 Christmas Lullabies: No. 1, I Sleep, Jesus | Valentin Silvestrov, Ieva Ezeriete, Agate Burkina, Latvian Radio Choir, Sigvards Kļava | D Major | 0 | 10B | 80 BPM | |
![Mid-Winter: Mid-Winter (version for mixed chorus and piano) [Version for choir and piano] by Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch](https://i.scdn.co/image/ab67616d00001e025c0ad56f0b0029471212248c) | Mid-Winter: Mid-Winter (version for mixed chorus and piano) [Version for choir and piano] | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A♭ Major | 0 | 4B | 75 BPM | |
 | Good King Wenceslas - Little Girl Blue (Arr. for Voice & Vocal Ensemble by Jared Graveley) | Richard Rodgers, Tavian Cox, Chanticleer, Tim Keeler | A Minor | 1 | 8A | 70 BPM | |
 | Halcyon Days | Melissa Dunphy, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | B♭ Minor | 0 | 3A | 87 BPM | |
 | Carol Medley | Jonathan Rathbone, Vasari Singers, Martin Ford, Jeremy Backhouse | C Major | 2 | 8B | 182 BPM | |
 | Magnificat Quinti Toni | Hieronymus Praetorius, Voces8 | G Major | 1 | 9B | 116 BPM | |
 | We Three Kings of Orient Are (Arr. J. Rutter) | John Henry Hopkins, The Cambridge Singers, Cambridge Orchestra, John Rutter | G Major | 1 | 9B | 82 BPM | |
| O Radiant Dawn | James MacMillan, The Sixteen / Harry Christophers, Harry Christophers | C Minor | 1 | 5A | 80 BPM | |
 | O Come, Emmanuel | Robert Shaw, Robert Shaw Chamber Singers | E Minor | 0 | 9A | 75 BPM | |
 | O Little Town of Bethlehem - Arr. Ralph Vaughan Williams, Patrick Dunachie | Traditional, The King's Singers | B♭ Minor | 0 | 3A | 87 BPM | |
| Ave Maria | Robert Shaw, Robert Shaw Chamber Singers | D♭ Major | 0 | 3B | 146 BPM | |
| The Christ-Child | Gabriel Jackson, Julie Cooper, Harry Christophers | E Minor | 1 | 9A | 81 BPM | |
 | The Shepherds' Farewell | Hector Berlioz, The Choir Of Trinity College, Cambridge, Richard Marlow | E Major | 0 | 12B | 73 BPM | |
 | Magnus | Erland Cooper, Shards | F Major | 2 | 7B | 81 BPM | |
 | Away in a Manger | William J. Kirkpatrick, David Willcocks, Traditional, The Sixteen, Harry Christophers | G Major | 3 | 9B | 132 BPM | |
 | Puer nobis | Richard Rodney Bennett, The Choir Of St John's College, Oxford, David Bannister | D Minor | 0 | 7A | 127 BPM | |
 | The Shepherd's Carol | Bob Chilcott, Academy Chamber Choir of Uppsala, Stefan Parkman | D Major | 0 | 10B | 65 BPM | |
 | The Truth from Above | The Sixteen | A Minor | 1 | 8A | 178 BPM | |
 | Greater Love Hath No Man | John Ireland, The Choir Of Trinity College, Cambridge, Stephen Layton, Jonathan Lee | D Major | 1 | 10B | 78 BPM | |
| The Stable Door | Cecil Armstrong Gibbs, Vasari Singers, Jeremy Backhouse | E♭ Major | 1 | 5B | 95 BPM | |
 | Trad / Arr Scheidt & Bach, JS : "O Jesulein süß, o Jesulein mild" | Johann Sebastian Bach, Traditional, Samuel Scheidt, Chanticleer | B♭ Major | 0 | 6B | 180 BPM | |
 | In the Bleak Midwinter - Arr. for vocal ensemble by Francis Bevan | Harold Darke, The Bevan Family Consort, Graham Ross | G Major | 0 | 9B | 78 BPM |
- ISRC
- GBBBC2301249
- Label
- L-M Records/RCA Records