Charles Roland Berry, Jiri Hanousek, Janáček Philharmonic Orchestra, Theodore Kuchar's 'Cello Concerto: II. Andante' had a release date set for January 1, 2007. This song is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 3 out of 11 in Berry, C.R.: Symphony No. 3, "Celestial" / Cello Concerto / Mariners Fanfare / Quileute Overture by Charles Roland Berry, Various Artists, Theodore Kuchar, Janáček Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Cello Concerto: II. Andante is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Concerto: II. Andante by Charles Roland Berry, Jiri Hanousek, Janáček Philharmonic Orchestra, Theodore Kuchar is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orchestral Suite No. 3 in D major, BWV 1068: II. Air | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | D Major | 2 | 10B | 91 BPM | ||
| Mors et Vita: Judex | Charles Gounod, Richard Hickox Orchestra, Richard Hickox | C Minor | 1 | 5A | 95 BPM | ||
| Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
| Flute Concerto No. 2 in G Major: I. Allegro | Frederick the Great, Manfred Friedrich, Carl Philipp Emanuel Bach Chamber Orchestra, Hartmut Haenchen | G Major | 1 | 9B | 135 BPM | ||
| Nabucco / Act 3: "Va, pensiero, sull'ali dorate" | Giuseppe Verdi, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso | D♭ Major | 1 | 3B | 77 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Trumpet Concerto in E-Flat Major, Hob. VIIe:1: III. Finale. Allegro | Joseph Haydn, Simon Höfele, BBC Scottish Symphony Orchestra, Duncan Ward | E♭ Major | 2 | 5B | 146 BPM | ||
| Jenny on Festival Day in Houston | Charles Roland Berry | G Major | 1 | 9B | 113 BPM | ||
| Suite N2. Cancion De Solveig | Orquesta Sinfónica De Radio Hamburgo | E Minor | 0 | 9A | 65 BPM | ||
| In Tender Moments | Charles Roland Berry, Ellinor String Quartet, Erica Convery | G Major | 2 | 9B | 81 BPM | ||
| Concerto For Piano And Orchestra No. 21 In C Major, KV 467: Elvira Madigan | Moscow Symphony Orchestra, Ilmar Lapinsch, Gints Berzins | F Major | 1 | 7B | 112 BPM | ||
| Les contes d'Hoffmann (The Tales of Hoffmann): Barcarolle | London Philharmonic Orchestra | D Major | 1 | 10B | 80 BPM | ||
| Orchestersuite in D Major, BWV 1068: II. Air | Slovak Philharmonic, Bohdan Warchal | D Major | 2 | 10B | 114 BPM | ||
| Air On the G String | George Martin | D Major | 4 | 10B | 63 BPM | ||
| Nabucco / Act 3: "Va, pensiero" | Giuseppe Verdi, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Carlo Franci | C Major | 4 | 8B | 131 BPM | ||
| Cavalleria rusticana: Part II: Intermezzo | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Minor | 0 | 7A | 117 BPM | ||
| Charpentier: Te Deum, H. 146: Prélude | Marc-Antoine Charpentier, Philip Ledger, Academy of St. Martin in the Fields | A Minor | 1 | 8A | 64 BPM | ||
| Berceuse, Op. 16 | Gabriel Fauré, CSSR State Philharmonic Orchestra, Kosice, Keith Clark | C Major | 0 | 8B | 78 BPM | ||
| Lullaby, Op. 49/4 | Slovac Chamber Orchestra | F Major | 1 | 7B | 82 BPM | ||
| We Cannot Get There from Here | Charles Roland Berry, Spencer Hoveskeland, Erica Convery, Jonah Spool, Ellinor String Quartet | G Major | 2 | 9B | 81 BPM | ||
| Canon and Gigue in D Major, P. 37: I. Canon | Johann Pachelbel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Major | 2 | 10B | 113 BPM | ||
| Concierto para Piano Nº 1 (De "La Pasión de Vivir") | The Oscar's Orchestra | D♭ Major | 2 | 3B | 86 BPM | ||
| La traviata / Act 1: Prelude | Giuseppe Verdi, Metropolitan Opera Orchestra, James Levine | D Minor | 0 | 7A | 137 BPM | ||
| Virus Days Quartet, movt. 14 | Charles Roland Berry | C Major | 1 | 8B | 152 BPM | ||
| Viola Concerto In G Major, TWV 51:g9: I. Largo | Ladislav Kyselák, Capella Istropolitana, Georg Philipp Telemann | G Major | 1 | 9B | 144 BPM |