"Berceuse, Op. 16" by Gabriel Fauré, CSSR State Philharmonic Orchestra, Kosice, Keith Clark had its release date on November 25, 1988. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 13 in French Festival by Slovak Radio Symphony Orchestra, Keith Clark, Ondrej Lenard. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Berceuse, Op. 16 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Berceuse, Op. 16 by Gabriel Fauré, CSSR State Philharmonic Orchestra, Kosice, Keith Clark is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Berceuse for Violin and Orchestra, Op. 16 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | D Major | 1 | 10B | 114 BPM | ||
| Andante Festivo | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 1 | 9B | 86 BPM | ||
| Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Hilary Hahn, Sir Neville Marriner, Academy of St. Martin in the Fields | C Major | 1 | 8B | 59 BPM | ||
| Dvorák: Legends for Orchestra, Op. 59, No. 6 | Antonín Dvořák, San Francisco Symphony, Michael Tilson Thomas | D♭ Major | 0 | 3B | 77 BPM | ||
| Sadko, Op. 5 (Arr. for Violin & Piano) | Nikolai Rimsky-Korsakov, Takako Nishizaki, Wolf Harden | C Major | 0 | 8B | 102 BPM | ||
| 3 Songs, Op. 7: No. 1. Apres un reve (arr. for cello and piano) | Anonymous, Gabriel Fauré, Maria Kliegel, Nina Tichman | F Minor | 0 | 4A | 95 BPM | ||
| The Seal Lullaby (Arr. Parkin) | Eric Whitacre, Isata Kanneh-Mason, Jeneba Kanneh-Mason, Braimah Kanneh-Mason, Konya Kanneh-Mason, Aminata Kanneh-Mason, Sheku Kanneh-Mason, Mariatu Kanneh-Mason | D♭ Major | 0 | 3B | 81 BPM | ||
| Serenade for Strings in C major, Op. 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | Pyotr Ilyich Tchaikovsky, Moscow Soloists, Yuri Bashmet | C Major | 3 | 8B | 123 BPM | ||
| Symphony No. 3 in F major, Op. 90: III. Poco allegretto | Seattle Symphony Orchestra | C Minor | 0 | 5A | 92 BPM | ||
| Delius: On Hearing the First Cuckoo in Spring | Frederick Delius, Andrew Davis, BBC Symphony Orchestra | D♭ Major | 1 | 3B | 66 BPM | ||
| Lieder ohne Worte (Songs without Words), Book 2, Op. 30: No. 7 in E-Flat Major, Op. 30, No. 1, MWV U103 | Felix Mendelssohn, Péter Nagy | E♭ Major | 0 | 5B | 65 BPM | ||
| Nana | Manuel de Falla, Martin Fröst, Royal Stockholm Philharmonic Orchestra | A Minor | 0 | 8A | 113 BPM | ||
| Violin Concerto No. 3 in B Minor, Op. 61: II. Andantino quasi allegretto | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 74 BPM | ||
| Consolations, S. 172: No. 3 in D-Flat Major. Lento, placido | Franz Liszt, Jorge Bolet | D♭ Major | 0 | 3B | 84 BPM | ||
| String Quartet No. 1 in D Major, Op. 11, TH 111: II. Andante cantabile (Version for String Orchestra) | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 93 BPM | ||
| Liszt: 6 Consolations, S. 172: No. 3 in D-Flat Major | Franz Liszt, François-René Duchâble | A♭ Major | 1 | 4B | 73 BPM | ||
| Little Suite from the "Anna Magdalena Notebook"; III. Bist du bei mir, BWV 508 | Johann Sebastian Bach, Philadelphia Orchestra, Eugene Ormandy | C Major | 1 | 8B | 105 BPM | ||
| Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | ||
| 2 Elegiac Melodies, Op. 34: No. 2, The Last Spring | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 1 | 9B | 122 BPM | ||
| Nocturne No. 5 in B-Flat Major, H. 37 | John Field, Elizabeth Joy Roe | B♭ Major | 0 | 6B | 65 BPM | ||
| Suite No. 2, P. 138: III. Campanae Parisiennses - Aria: Andante Mosso | Ottorino Respighi, RTÉ National Symphony Orchestra | C Major | 0 | 8B | 76 BPM | ||
| Peer Gynt Suite No.2 op. 55 Abduction and Ingrid's Lament Allegro furioso-Andante doloroso) | Academy of St. Martin in the Fields | G Minor | 0 | 6A | 133 BPM | ||
| Variations on a Theme by Haydn, Op. 56a "St. Anthony Variations": I. Theme. Andante | Johannes Brahms, London Philharmonic Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 71 BPM | ||
| Lo, the full, final sacrifice, Op. 26: Amen - Instrumental | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | E Major | 1 | 12B | 112 BPM | ||
| Masques et Bergamasques Suite, Op. 112: I. Ouverture | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | F Major | 1 | 7B | 135 BPM |