- BPM
- 101
- Key
- D Minor
- Camelot
- 7A
Perpetuum mobile by Ferdinand Ries, Wolfgang Schneiderhan, Albert Hirsh Song Details
Ferdinand Ries, Wolfgang Schneiderhan, Albert Hirsh's ' "Perpetuum mobile" was released on its scheduled release date, 1958. The duration of This song is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Perpetuum mobile's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Virtuoso Violin by Wolfgang Schneiderhan, Tibor Bisztriczky, Albert Hirsh, Felix Schröder. The song's track number on the album is #12 out of 26 tracks. Based on our data, Germany was the country where this track was produced or recorded. In terms of popularity, Perpetuum mobile is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
BPM and Tempo
Since Perpetuum mobile by Ferdinand Ries, Wolfgang Schneiderhan, Albert Hirsh has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Perpetuum mobile being at 101 BPM, the half-time would be 50 BPM with a double-time of 202 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
Music Key
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 1%
- Loudness
- -16.753 dB
- Acousticness
- 96%
- Danceability
- 44%
- Energy
- 32%
- Instrumentalness
- 19%
- Liveness
- 9%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 58%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bizet: Symphony in C Major, WD 33: II. Adagio | Georges Bizet, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E Minor | 1 | 9A | 136 BPM | |
 | Violin Concerto No.1 In G Minor, Op.26: 1. Vorspiel (Allegro moderato) | Max Bruch, Anne-Sophie Mutter, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 1 | 5B | 105 BPM | |
 | Symphony in E-Flat Major "Jagd-Sinfonie", P31: I. Adagio - Allegro | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | E♭ Major | 0 | 5B | 86 BPM | |
 | Janáček: In the Mists: II. Molto adagio | Leoš Janáček, Mikhail Rudy | A♭ Minor | 1 | 1A | 80 BPM | |
 | Symphony No. 1 in C Minor: III. Allegro vivace | Emilie Mayer, NDR Radiophilharmonie, Leo McFall | D♭ Major | 0 | 3B | 81 BPM | |
 | Lieder ohne Worte, Book 1, Op. 19b: I. Andante con moto, MWV U86 | Felix Mendelssohn, Javier Perianes | E Major | 0 | 12B | 95 BPM | |
 | Symphony No. 1 in D Major, Op. 23: I. Adagio - Allegro molto vivace | Ferdinand Ries, Tapiola Sinfonietta, Janne Nisonen | C Major | 2 | 8B | 142 BPM | |
 | Suite in B-Flat Major, HWV 434: I. Prélude | George Frideric Handel, Ragna Schirmer | D Minor | 0 | 7A | 176 BPM | |
 | Piano Sonata in G Minor: IV. Finale. Presto | Fanny Mendelssohn, Heather Schmidt | G Major | 1 | 9B | 103 BPM | |
 | Kyllikki - Three Lyrical Pieces for Piano, Op. 41: I. Largamente | Jean Sibelius, Leif Ove Andsnes | E♭ Minor | 1 | 2A | 133 BPM | |
 | Character Pieces, MA Ms. 44 (selections): VIII: Allegro moderato, in B Major | Fanny Mendelssohn, Beatrice Rauchs | A♭ Minor | 1 | 1A | 88 BPM | |
 | Symphony in C Major, Ben. 128: I. Allegro molto spiritoso | Ignaz Pleyel, Capella Istropolitana, Uwe Grodd | C Major | 1 | 8B | 88 BPM | |
 | String Quartet in G Minor, Op. 27: III. Intermezzo. Allegro molto marcato - Allegro agitato (Arr. R. Tognetti for string orchestra) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | F Major | 0 | 7B | 92 BPM | |
 | Der Sieg des Glaubens, Op. 157, Pt. 2: Höre die Frechen nicht | Ferdinand Ries, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | A Major | 4 | 11B | 75 BPM | |
 | Chopin: Piano Concerto No. 1 in E Minor, Op. 11: III. Rondo. Vivace | Frédéric Chopin, Martha Argerich, Charles Dutoit, Orchestre Symphonique de Montréal | E Major | 2 | 12B | 119 BPM | |
 | Piano Concerto No. 1 in D Minor, Op. 61: III. Rondo. Vivace | Friedrich Kalkbrenner, Hans Kann, Hamburg Symphony Orchestra, Heribert Beissel | D Minor | 1 | 7A | 131 BPM | |
 | Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits (Arr. for Piano by Giovanni Sgambati) | Christoph Willibald Gluck, Dmitry Paperno | D Minor | 0 | 7A | 76 BPM | |
 | 8 Pieces, Op. 83: V. Rumänische Melodie (Andante) | Max Bruch, Philon Trio | F♯ Minor | 0 | 11A | 78 BPM | |
 | Piano Trio in D Minor, Op. 120: Piano Trio in D minor, Op. 120: I. Allegro ma non troppo | Gabriel Fauré, Trio Wanderer | B♭ Major | 0 | 6B | 85 BPM | |
 | Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: I. Introduzione. Maestoso ed adagio | Joseph Haydn, Konzerthausorchester Berlin, Justin Doyle | E Minor | 1 | 9A | 136 BPM | |
 | Piano Trio No. 1 in D Minor, Op. 49: III. Scherzo: Leggiero e vivace | Felix Mendelssohn, Joshua Bell, Steven Isserlis, Jeremy Denk | D Major | 2 | 10B | 156 BPM | |
 | Nocturne No. 5 in B-Flat Major | John Field, Miceal O'Rourke | B♭ Major | 0 | 6B | 73 BPM | |
 | Easter Sonata: IV. Allegro con strepito | Fanny Mendelssohn, Isata Kanneh-Mason | A Major | 2 | 11B | 75 BPM | |
 | Prokofiev: String Quartet No. 2, Op. 92: II. Adagio | Sergei Prokofiev, Quartetto Italiano | E Minor | 1 | 9A | 136 BPM | |
 | Sonata for Strings No. 3 in C Major: III. Moderato | Gioachino Rossini, Andras Kiss, Budapest Rossini Ensemble | C Major | 1 | 8B | 137 BPM |
- ISRC
- DEF055705990
- Label
- L-M Records/RCA Records