"The Ship Is Taken" by Sean Callery had its release date on February 28, 2006. The duration of This song is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. The Ship Is Taken's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 24: The Game, so we believe that "The Ship Is Taken" is a single. Based on our statistics, The Ship Is Taken's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of The Ship Is Taken by Sean Callery is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Liberation Main Theme | Winifred Phillips, Assassin's Creed | E Minor | 8 | 9A | 189 BPM | ||
| Like a Fire | John Ottman | G Minor | 2 | 6A | 85 BPM | ||
| Alias Investigations | Sean Callery | D Major | 4 | 10B | 160 BPM | ||
| Mud | Steve Jablonsky | B♭ Minor | 7 | 3A | 125 BPM | ||
| Blows | Roque Baños | A Major | 6 | 11B | 132 BPM | ||
| Last Request | Atli Örvarsson | G Minor | 2 | 6A | 72 BPM | ||
| Zauren Core | Nyxar void | B♭ Minor | 1 | 3A | 110 BPM | ||
| Wrestling Demons | Halo, Sean Callery, Colin Stetson | F Minor | 5 | 4A | 124 BPM | ||
| Waking Up | Joseph Trapanese | G Minor | 1 | 6A | 129 BPM | ||
| Tus Mejores Cartas | toribio | A♭ Major | 4 | 4B | 180 BPM | ||
| Nottingham | Joseph Trapanese | G Minor | 2 | 6A | 91 BPM | ||
| ZZZ Accounting / You Don't See That Everyday | Mark Isham | D♭ Major | 3 | 3B | 104 BPM | ||
| Hawthorne Abendsen | Dominic Lewis | G Minor | 2 | 6A | 192 BPM | ||
| Jessica Jones Main Title (Double Shot Version) | Sean Callery | D Major | 3 | 10B | 130 BPM | ||
| Season One Finale/Terry's Death | Sean Callery | A♭ Major | 3 | 4B | 61 BPM | ||
| Marshland | David Wingo, Ola Gjeilo | C Minor | 2 | 5A | 119 BPM | ||
| You're a Beast, Man | Cliff Martinez | A♭ Major | 4 | 4B | 200 BPM | ||
| Inner Planets | Anže Rozman, Andrew Christie | A Major | 1 | 11B | 72 BPM | ||
| Roll Call | Steve Jablonsky | F Major | 1 | 7B | 140 BPM | ||
| Restaurant Flashback | Sean Callery | B Minor | 6 | 10A | 124 BPM | ||
| Suspicious Mind (Including End Credits) | Víctor Reyes | E Minor | 1 | 9A | 115 BPM | ||
| Trust Issues | Halo, Sean Callery | B♭ Major | 1 | 6B | 65 BPM | ||
| Kidnapping Kilgrave | Sean Callery | A♭ Major | 5 | 4B | 121 BPM | ||
| Hope (Xavier's Theme) | John Ottman, Jeffrey Schindler, American Federation of Musicians | A Minor | 1 | 8A | 132 BPM | ||
| Rescuing Hope from the Hotel Bed | Sean Callery | E Major | 4 | 12B | 67 BPM |