Lee Wiley's ' "Anytime, Anyday, Anywhere" was released on its scheduled release date, 2005. The duration of This song is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Anytime, Anyday, Anywhere's duration is considered a little bit shorter than the average duration of a typical track. The song is number 37 out of 48 in Follow Your Heart by Lee Wiley. In terms of popularity, Anytime, Anyday, Anywhere is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Anytime, Anyday, Anywhere by Lee Wiley is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Angels Cried | Martha Tilton, Hubert "Bumps" Myers, The Mellowaires | F♯ Major | 1 | 2B | 93 BPM | ||
| It Only Happens When I Dance with You | Chris Connor | C Minor | 2 | 5A | 133 BPM | ||
| I've Got A Crush On You | Chris Connor | D Minor | 0 | 7A | 94 BPM | ||
| Old Folks | Bea Wain | F Major | 2 | 7B | 102 BPM | ||
| Serenade In Blue | Paul Whiteman & His Orchestra, Martha Tilton | E Minor | 2 | 9A | 81 BPM | ||
| Honey | Rudy Vallee | C Minor | 2 | 5A | 125 BPM | ||
| How Long Did I Dream? | Kay Kyser & His Orchestra, Ginny Simms | F Major | 2 | 7B | 102 BPM | ||
| That's for me | Kay Kyser & His Orchestra, Kay Kyser | E Minor | 2 | 9A | 117 BPM | ||
| Why Don't We Do This More Often | Kay Kyser & His Orchestra, Ginny Simms | F Major | 2 | 7B | 102 BPM | ||
| Lullaby In Rhythm | Mark Murphy | F Minor | 2 | 4A | 135 BPM | ||
| Ramona | Gene Austin | D Major | 0 | 10B | 95 BPM | ||
| With Plenty Of Money And You | Hal Kemp And His Orchestra | G Minor | 1 | 6A | 184 BPM | ||
| Oh! Miss Jaxon | Charlie Barnet | F Major | 6 | 7B | 136 BPM | ||
| Begin the Beguine - Remastered | Mildred Bailey | A♭ Major | 2 | 4B | 81 BPM | ||
| Coffee In The Morning (Kisses In The Night) | The Boswell Sisters | A♭ Major | 1 | 4B | 113 BPM | ||
| Frankie And Johnny | Morgana King | E♭ Major | 3 | 5B | 87 BPM | ||
| Sugar Rose | Fats Waller | C Major | 2 | 8B | 128 BPM | ||
| Oh Look at Me Now | Lee Wiley | D♭ Major | 1 | 3B | 89 BPM | ||
| A Nightingale Sang in Berkeley Square | Anne Shelton | F Major | 2 | 7B | 102 BPM | ||
| Let's Get Away from It All | Martha Tilton, Harry Babbitt | A Minor | 2 | 8A | 124 BPM | ||
| A Pretty Girl Is Like a Melody | Rudy Vallee | C Major | 2 | 8B | 122 BPM | ||
| Can't You Read Between the Lines? | Kay Kyser & His Orchestra | D♭ Major | 0 | 3B | 105 BPM | ||
| If I Could Be with You (One Hour Tonight) | Kay Starr | F Major | 2 | 7B | 102 BPM | ||
| Forgive and Forget | Jeri Southern | D Minor | 1 | 7A | 83 BPM | ||
| 'Tis Autumn | Les Brown | C Major | 1 | 8B | 86 BPM |