"Wie Lieblich Sind Deine Wohnungen, Op. 35" by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius had its release date on February 1, 1989. This song is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The track order of this song in Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius's "Josef Gabriel Rheinberger: Cantus Missae. Musica sacra II" album is number 7 out of 14. On top of that, Germany appears to be the country where this track was created. Wie Lieblich Sind Deine Wohnungen, Op. 35 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wie Lieblich Sind Deine Wohnungen, Op. 35 by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 2 in B-Flat Major, Op. 52 "Hymn of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
| Spaseniye sodelal, Op. 25 No. 5: Spaseniye sodelal, Op. 25 No. 5 | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | D Major | 0 | 10B | 85 BPM | ||
| All-night Vigil, Op. 44: Vzbrannoy voyevode | Pavel Chesnokov, St. John's Voices, Cambridge University Chamber Choir, Graham Walker | A Minor | 0 | 8A | 78 BPM | ||
| Hear My Prayer | Henry Purcell, Vox Luminis, Lionel Meunier | B Minor | 1 | 10A | 175 BPM | ||
| Rise up, my love, my fair one, Op. 314 | Healey Willan, Matthew Larkin, Elora Festival Singers, Noel Edison | D♭ Major | 0 | 3B | 137 BPM | ||
| Mother of God, Here I Stand | John Tavener, Birmingham Conservatoire Chamber Choir, Paul Spicer | G Major | 0 | 9B | 130 BPM | ||
| Son of God Mass: Amen | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 72 BPM | ||
| Verleih uns Frieden | Felix Mendelssohn, Noel Edison, Paul Halley, Choir of St John's, Elora | E♭ Major | 0 | 5B | 73 BPM | ||
| Holy Spirit Mass: The Spirit's Work: Come | Kim André Arnesen, Mona Spigseth, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | F Minor | 1 | 4A | 127 BPM | ||
| Jesu, meine Freude, BWV 227: Gute Nacht, o Wesen | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | A Major | 2 | 11B | 110 BPM | ||
| Gloria in D Major: Et in terra | Antonio Lotti, Mária Zádori, Judit Nemeth, Gábor Oláh, Tibor Gyenge, László Donyec, Mihály Lakatos, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | D Major | 0 | 10B | 84 BPM | ||
| Otche Nash | Igor Stravinsky, Cappella Amsterdam, Daniel Reuss | F Major | 0 | 7B | 79 BPM | ||
| Mass for Double Choir: Kyrie | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 88 BPM | ||
| Love Never Ends | Philip Stopford, The Ecclesium Choir | D♭ Major | 1 | 3B | 94 BPM | ||
| Gandrille: Magnificat, Op. 50: I. Magnificat | Jean-Charles Gandrille, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | C Minor | 3 | 5A | 84 BPM | ||
| Libera me, WAB 21 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | D Minor | 1 | 7A | 83 BPM | ||
| Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart, Sonntraud Engels-Benz, Frieder Bernius | D♭ Major | 1 | 3B | 66 BPM | ||
| Messe brève No. 7: IIa. Domine Fili unigenite | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | F Major | 0 | 7B | 137 BPM | ||
| Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
| Hymnen, Op. 140: V. Angelus suis | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 102 BPM | ||
| Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
| Tenebrae factae sunt à 4 | Blasius Amon, Huelgas Ensemble, Paul Van Nevel | F Major | 1 | 7B | 84 BPM | ||
| The Silver Swan | Orlando Gibbons, Apollo5 | C Major | 1 | 8B | 79 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Missae: Agnus Dei | Antonio Lotti, Pro Musica, Szabó Dénes | B♭ Major | 1 | 6B | 75 BPM |