"Hymnen, Op. 140: V. Angelus suis" by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius had its release date on February 1, 1989. The duration of This song is about 3 minutes long, at 3:25. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius's "Josef Gabriel Rheinberger: Cantus Missae. Musica sacra II" album is number 13 out of 14. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Hymnen, Op. 140: V. Angelus suis is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Hymnen, Op. 140: V. Angelus suis by Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ralph Vaughan Williams: Rest | Lumen Valo | E♭ Major | 0 | 5B | 80 BPM | ||
| Eternal Rest | James Whitbourn, Commotio, Henry Parkes, Matthew Berry | G Major | 1 | 9B | 128 BPM | ||
| 6 Gesänge, Opo 131: No. 4, Im Erdenraum | Josef Rheinberger, Estelí Gomez, Amanda Sidebottom, Derek Greten-Harrison, Heather Petrie | A♭ Major | 0 | 4B | 102 BPM | ||
| Officium defunctorum: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 69 BPM | ||
| Gesualdo: Ave, Dulcissima Maria | Carlo Gesualdo, Peter Phillips, The Tallis Scholars | F Major | 1 | 7B | 71 BPM | ||
| Jesu, Meine Freude BWV 227: Jesu, Meine Freude - Choral | Calmus Ensemble | D♭ Minor | 1 | 12A | 81 BPM | ||
| Ten Poems on Texts by Revolutionary Poets, Op. 88: No. 5: To Those Condemned to Death | Dmitri Shostakovich, Chorus of the Academy of Choral Arts, Victor Popov | A Major | 0 | 11B | 77 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | F Major | 0 | 7B | 79 BPM | ||
| O Radiant Dawn | James MacMillan, Choir of Merton College, Oxford, Benjamin Nicholas | C Minor | 2 | 5A | 68 BPM | ||
| Sunrise Mass: II. Sunrise | Ola Gjeilo, Westminster Williamson Voices, Sunrise Mass Orchestra, James Jordan | D Major | 2 | 10B | 118 BPM | ||
| Crossing the Bar | Hubert Parry, Choir of Jesus College, Cambridge, Mark Williams | D Major | 1 | 10B | 70 BPM | ||
| Holy Spirit Mass: Peace | Kim André Arnesen, Mona Spigseth, Alex Robson, Trondheim Vokalensemble, TrondheimSolistene, Sofi Jeannin | A Minor | 1 | 8A | 94 BPM | ||
| Requiem in D Minor, K. 626 (Paris 1804 Version): I. Introït | Niccolò Jommelli, Chantal Santon Jeffery, Éléonore Pancrazi, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | E Minor | 0 | 9A | 88 BPM | ||
| Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | A Minor | 0 | 8A | 69 BPM | ||
| Wie Lieblich Sind Deine Wohnungen, Op. 35 | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | B♭ Major | 0 | 6B | 73 BPM | ||
| Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
| Zieh ein zu deinen Toren | Sjaella | F Major | 0 | 7B | 77 BPM | ||
| 3 Geistliche Gesänge, Op. 69: II. Hymne | Josef Rheinberger, Vancouver Cantata Singers, James Fankhauser | D Major | 2 | 10B | 83 BPM | ||
| Variation 9: Nimrod) | John Cameron, Choir of St John's, Elora, Noel Edison | D♭ Major | 1 | 3B | 83 BPM | ||
| Romanzen, Book 1, Op. 69: No. 6, Die Kapelle | Robert Schumann, Aquarius, Marc Michael de Smet | G Major | 0 | 9B | 130 BPM | ||
| Se Per Havervi, Oime | Nordic Chamber Choir - Nicol Matt | D♭ Major | 0 | 3B | 92 BPM | ||
| I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM | ||
| Mass in F Minor, Op. 159: I. Kyrie | Josef Rheinberger, Edgar Krapp, Frankfurter Kantorei, Wolfgang Schäfer | F Major | 2 | 7B | 83 BPM | ||
| Quando corpus morietur | Kim André Arnesen, Haderslev Domkirkes Pigekor, Sønderjyllands Symfoniorkester, Thomas Berg-Juul | B Minor | 0 | 10A | 173 BPM | ||
| The Crucifixion: IX. Chorus – God so loved the world | John Stainer, Choir of St Mary's Cathedral, Edinburgh, Duncan Ferguson | E Major | 2 | 12B | 76 BPM |